{"product_id":"henle-verlag-saint-saens-camille-morceau-de-concert-en-fa-mineur-op-94-cor-piano-234208","title":"SAINT-saens Camille - Morceau De Concert En Fa Mineur Op.94 - Cor \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eComposed in the spirit of the great virtuosic works of the 19th century, Camille Saint-Saëns' \u003cstrong\u003eConcert Piece in F minor, Op. 94\u003c\/strong\u003e follows an approach similar to Schumann's \"Konzertstück\": to fully exploit the capabilities of a modernized horn. The work originated from the initiative of the French horn player \u003cstrong\u003eHenri Chaussier\u003c\/strong\u003e, who wished to demonstrate the advantages of his \"omnitonic horn,\" a model designed to expand the technical and chromatic possibilities of the instrument.\u003c\/p\u003e\u003cp\u003eAlthough Chaussier's innovation was not widely adopted by the horn community, Saint-Saëns' score has stood the test of time. Highly appreciated both in concerts and competitions, this \u003cstrong\u003esingle-movement\u003c\/strong\u003e piece combines brilliance, lyricism, and a strong sense of line, while demanding solid control of breath, register shifts, and articulation.\u003c\/p\u003e\u003cp\u003eAnother pedagogical advantage: the work is no longer regarded as excessively demanding technically, and Saint-Saëns himself had provided \u003cstrong\u003etwo cuts\u003c\/strong\u003e from the outset to simplify certain passages. This approach makes it an excellent choice for \u003cstrong\u003eadvanced-level horn players\u003c\/strong\u003e wishing to tackle a major classic of the Romantic repertoire, work on sound presence, and develop an interpretation that is both brilliant and singing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCamille Saint-Saëns\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFingerings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eKlaus Schilde\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDominik Rahmer\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Henle Verlag","offers":[{"title":"Default Title","offer_id":54359270326547,"sku":"234208","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0f5b02d889e11b05d2a028499213eb0f4761f7de_HN1284.jpg?v=1789470254","url":"https:\/\/woodbrass.shop\/products\/henle-verlag-saint-saens-camille-morceau-de-concert-in-f-minor-op-94-cor-piano-234208","provider":"Woodbrass.com","version":"1.0","type":"link"}