{"product_id":"heugel-balbastre-c-b-pieces-de-clavecin-d-orgue-et-de-forte-piano-257244","title":"Balbastre C.B. - Pieces De Clavecin D'Orgue Et De Forte Piano","description":"\u003ch3\u003eSummary of This Sheet Music\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePièces De Clavecin D'Orgue Et De Forte Piano - LP. 52\u003c\/strong\u003e offers a selection of twenty-three pieces chosen by Alan Curtis, designed for keyboard players seeking a repertoire that is both elegant, contrasting, and educational. The collection is intended for musicians capable of undertaking a refined approach to touch and timing, with particular attention to ornamentation, phrasing, and voice clarity. Although these pieces can be performed by a harpsichordist, organist, or pianist, the writing often \"falls\" very naturally under the fingers on the piano, making it a valuable resource both for study and performance.\u003c\/p\u003e\u003cp\u003eThe collection balances contrapuntal forms (including \u003cstrong\u003efugue\u003c\/strong\u003e and imitative writing), opening pages of the \u003cstrong\u003eprelude\u003c\/strong\u003e type, character pieces bearing \"La...\" titles typical of the French style, and a \u003cstrong\u003eSonata in Quartet\u003c\/strong\u003e structured in contrasting movements. The set allows for work on hand independence, control of sound layers, articulation (detached, legato, uneven notes depending on context), as well as managing changes of affect. For the organist, these pieces can also be approached with attention to registration choices and line leading\u0026#59; for the harpsichordist, they invite care in attack, ornamentation, and internal dance.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eContents of the twenty-three pieces:\u003c\/strong\u003e \u003c\/p\u003e\u003cul\u003e\u003cli\u003eFugue\u003c\/li\u003e\u003cli\u003eLa de Caze\u003c\/li\u003e\u003cli\u003eLa d'Héricourt\u003c\/li\u003e\u003cli\u003eLa Ségur\u003c\/li\u003e\u003cli\u003eLa Monmartel or La Brunoy\u003c\/li\u003e\u003cli\u003eLa Boullongne\u003c\/li\u003e\u003cli\u003eLa Castelmore\u003c\/li\u003e\u003cli\u003eLa Courteille\u003c\/li\u003e\u003cli\u003eLa Bellaud\u003c\/li\u003e\u003cli\u003eLa Lamarck\u003c\/li\u003e\u003cli\u003eLa Berville\u003c\/li\u003e\u003cli\u003eLa Lugeac\u003c\/li\u003e\u003cli\u003eLa Suzanne\u003c\/li\u003e\u003cli\u003eLa Genty\u003c\/li\u003e\u003cli\u003eLa Malesherbe\u003c\/li\u003e\u003cli\u003eLa Berryer or La Lamoignon\u003c\/li\u003e\u003cli\u003eLa Laporte\u003c\/li\u003e\u003cli\u003eLa Morisseau\u003c\/li\u003e\u003cli\u003ePrelude\u003c\/li\u003e\u003cli\u003eFugue\u003c\/li\u003e\u003cli\u003eSonata in Quartet, IV: Allegro \/ Andante Pastoralle \/ Allegro\u003c\/li\u003e\u003cli\u003eLa d'Esclignac\u003c\/li\u003e\u003cli\u003eMarche des Marseillois and the Air Ça ira\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eC. B. Balbastre (1724-1799)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eupper intermediate to advanced\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlan Curtis (selection)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical sheet music (keyboard repertoire)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eharpsichord, organ, or piano\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heugel","offers":[{"title":"Default Title","offer_id":54360619122963,"sku":"257244","price":24.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2296ffa34005c88b1f063c1b7a40e8a43d2b6a89_9790047323873.jpg?v=1789399793","url":"https:\/\/woodbrass.shop\/products\/heugel-balbastre-c-b-pieces-de-clavecin-d-orgue-et-de-forte-piano-257244","provider":"Woodbrass.com","version":"1.0","type":"link"}