{"product_id":"jhs-pedals-3-series-pherb-440257","title":"3 Series Pherb","description":"\u003ch3\u003eA Meeting Between Lo-Fi Space and Deconstructed Saturation\u003c\/h3\u003e\u003cp\u003eThe Pherb does not seek to reproduce a concert hall or perfectly clean studio reverb. Its identity is built around a precise combination: \u003cstrong\u003ea reverb running through a four-stage phaser\u003c\/strong\u003e. The movement therefore applies to the reverberated space itself, rather than simply accompanying your instrument’s sound. The two treatments remain combined to form a texture in its own right.\u003c\/p\u003e\u003cp\u003eBreak mode introduces another sonic reference: that of an old ’60s Jordan Bosstone fuzz colliding with a DOD Grunge. This comparison describes the character of the resulting destruction, without making the Pherb a reissue of these effects. Here, it is an \u003cstrong\u003easymmetrical bitcrusher placed at the input\u003c\/strong\u003e that disrupts the signal before the reverb and phaser come into play.\u003c\/p\u003e\u003ch3\u003eFor Guitarists Who Prefer Textures to Tame Ambiences\u003c\/h3\u003e\u003cp\u003eThis reverb and phaser pedal is aimed at musicians who enjoy building an atmosphere as much as playing a guitar part. Ambient, shoegaze, experimental rock and noise passages are natural settings in which to explore its character. It can accompany widely spaced notes, thicken a repeating pattern or transform sustained chords into moving material.\u003c\/p\u003e\u003cp\u003eIts three controls make it easy to use, while their interaction invites experimentation. On a stage pedalboard or during studio sound exploration, the Pherb will appeal most to guitarists looking for a pronounced effect. The Break selector lets you move from a dark ambience to a distinctly more rugged texture without changing the underlying treatment principle.\u003c\/p\u003e\u003ch3\u003eThree Controls for Shaping Space, Movement and Duration\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eMix\u003c\/strong\u003e control adjusts the presence of the treatment relative to the dry signal. It lets you preserve the outline of your part while adding modulated depth, or give the ambience more room to breathe. The \u003cstrong\u003eSpeed\u003c\/strong\u003e control adjusts the phaser’s speed, from 0.05 to 5 Hz: from a very slow evolution to a much faster oscillation.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eLength\u003c\/strong\u003e control adjusts the reverb decay time. Its RT60 range extends from 241 ms to 49.83 seconds, offering both a brief tail and an exceptionally long sustain. RT60 is the time required for the reverb level to decrease by 60 dB: this broad range therefore opens up extensive possibilities for shaping the duration of sustained textures.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eBreak\u003c\/strong\u003e selector engages the asymmetrical bitcrusher upstream. The reverb and phaser are then layered onto this degraded signal. Since the two main effects are always active, the approach is to sculpt their combination rather than select them separately.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Pherb favors a \u003cstrong\u003edark, lo-fi and atmospheric color\u003c\/strong\u003e. The phaser animates the reverb and gives it a sense of continuous movement. At a slow speed, this modulation encourages gradual shifts\u0026#59; as it speeds up, it becomes a more prominent rhythmic and expressive element. Blending it with the dry signal keeps an anchor point within this floating material.\u003c\/p\u003e\u003cp\u003eWith Break engaged, the result gains roughness and a deconstructed character. The attacks then feed a chain in which degradation comes before space and movement. Long reverb times extend this material, while shorter settings focus the effect more closely around the notes. A pedal to consider for its personality rather than for transparent reproduction.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Phaser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eguitar, pedalboard\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eReverb character\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edark and atmospheric.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the reverb decay time.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMain effects order\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereverb followed by Phaser.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBreak selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eactivates the asymmetrical bitcrusher.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the blend between the processed signal and the dry signal.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePhaser speed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom 0.05 Hz to 5 Hz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpeed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the Phaser speed.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eReverb decay time, measured in RT60\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom 241 ms to 49.83 seconds.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":67869180231955,"sku":"440257","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/06928e6730ac957c4b245e09c5a15bf6d0806b54_FILLING_PHERB.jpg?v=1793193517","url":"https:\/\/woodbrass.shop\/products\/jhs-pedals-3-series-pherb-440257","provider":"Woodbrass.com","version":"1.0","type":"link"}