{"product_id":"jhs-pedals-legends-of-fuzz-bender-334143","title":"Legends Of Fuzz Bender","description":"\u003ch3\u003eFrom Denmark Street to the MK3 \"Onomatopoeia\": the Tone Bender legacy revisited by JHS\u003c\/h3\u003e\u003cp\u003eIn April 1965, amidst the buzz of Denmark Street in London, Gary Hurst (Macari's Musical Exchange) laid a cornerstone of rock by developing the Sola Sound Tone Bender fuzz based on the idea of the Maestro Fuzz Tone (1962). From prototype in a wooden box through major revisions (MKI, MK2, then MK3\/MK4), the Tone Bender followed the evolution of the music it helped shape. The \u003cstrong\u003eJHS Bender\u003c\/strong\u003e is JHS's answer to one of the most precious pieces in Josh Scott's personal collection: a 1973 silver\/orange MK3 nicknamed \"Onomatopoeia.\" The goal is clear: to recapture the character and feel of this legendary fuzz while making it \u003cstrong\u003emore stable\u003c\/strong\u003e, consistent, and suited to the demands of a modern pedalboard.\u003c\/p\u003e\u003ch3\u003eFor whom and for what: an expressive fuzz for riffs, walls of sound, and solos that cut through the mix\u003c\/h3\u003e\u003cp\u003eThe JHS Bender is aimed at guitarists who want a \u003cstrong\u003efuzz pedal\u003c\/strong\u003e capable of moving from thick riffs to sharp leads without getting lost in complicated settings. It suits both intermediate musicians and vintage sound enthusiasts looking for a reliable foundation for studio and stage. In genres like \u003cstrong\u003erock\u003c\/strong\u003e, \u003cstrong\u003eclassic rock\u003c\/strong\u003e, \u003cstrong\u003epsych\u003c\/strong\u003e, \u003cstrong\u003egarage\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, or even for more \u003cstrong\u003eambient\u003c\/strong\u003e textures (when placed before delay and reverb), the Bender naturally sits at the start of the chain, where your attack and guitar volume can shape the gain. If you like fuzz tones associated with \u003cstrong\u003eLed Zeppelin\u003c\/strong\u003e, \u003cstrong\u003eJeff Beck\u003c\/strong\u003e, \u003cstrong\u003eThe Beatles\u003c\/strong\u003e, \u003cstrong\u003eMick Ronson\u003c\/strong\u003e (David Bowie), or \u003cstrong\u003eMy Bloody Valentine\u003c\/strong\u003e, you are exactly in its playground.\u003c\/p\u003e\u003ch3\u003eControls and modes: from vintage grit to modern \"cut\"\u003c\/h3\u003e\u003cp\u003eThe Bender keeps it simple, but each control has an immediate musical impact. The \u003cstrong\u003eTone\u003c\/strong\u003e knob allows you to dial in brighter sounds (more present attack, clearer chords) or darker ones (rounder, more \"wooden\" texture), which greatly helps adapt it to different guitars and amps. The \u003cstrong\u003eAttack\u003c\/strong\u003e control governs saturation: the higher you set it, the thicker, more compressed, and harmonically rich the fuzz becomes. On the side, the \u003cstrong\u003eMode\u003c\/strong\u003e switch activates a JHS mode with \u003cstrong\u003emore gain\u003c\/strong\u003e and a \u003cstrong\u003emidrange boost\u003c\/strong\u003e : perfect for cutting through the mix in solos or adding presence on an amp already heavy on bass. With a lot of Attack in this mode, you can also notice a slight noise reduction effect depending on your dynamics: the pedal responds more to your playing strength, enhancing the \"instrument\" feel rather than a \"simple effect.\"\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eThe JHS Bender delivers fuzz with a distinctly British personality: a \u003cstrong\u003edense\u003c\/strong\u003e, \u003cstrong\u003esinging\u003c\/strong\u003e, and highly \u003cstrong\u003eresponsive\u003c\/strong\u003e texture, capable of retaining clarity in chords while offering great sustain on long notes. Its major appeal is the blend of \u003cstrong\u003evintage mojo\u003c\/strong\u003e (lively attack, feeling of a \"breathing\" circuit) and \u003cstrong\u003eprecision\u003c\/strong\u003e (stability, consistency, better compatibility with modern use). By adjusting Tone and Attack, you move from a sharper, more articulated fuzz to a darker, massive saturation ideal for heavy riffs, 70s rock, shoegaze textures, and expressive sustain leads. It's a pedal that rewards pick and guitar volume control: if you like to \"drive\" your fuzz rather than let it do everything, the Bender is particularly inspiring.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol 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