{"product_id":"jhs-pedals-legends-of-fuzz-supreme-334146","title":"Legends Of Fuzz Supreme","description":"\u003ch3\u003eFrom the Japanese Super-Fuzz to the Supreme: A Reissued Legend\u003c\/h3\u003e\u003cp\u003eIn the late 1960s, Japan was bubbling with inventiveness and saw the birth of circuits that became legendary. Among them, the Super-Fuzz (released under various brands) established itself as one of the most sought-after fuzz\/octave pedals: an effect capable of transforming a single note or a chord into a thick, raw, and spectacular texture. This unique character owes much to the ecosystem of the time (Honey, Shin-Ei, then the versions aimed at the American market), and to musicians who made it their sonic signature.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eJHS Supreme\u003c\/strong\u003e is a faithful replica of a particularly rare and prized example from Josh Scott's collection, finished in black and gray. The goal is not to \"modernize\" the concept, but to recapture the feel of an unpredictable Octavia Fuzz temperament: a powerful, screaming, vibrant octave\/fuzz with the impression of always being \"cranked to the max.\"\u003c\/p\u003e\u003ch3\u003eWho Is the JHS Supreme For?\u003c\/h3\u003e\u003cp\u003eThe Supreme is aimed at guitarists (and curious bassists) who want an \u003cstrong\u003eoctave fuzz pedal\u003c\/strong\u003e with a strong character, without spending hours tweaking. Its minimalist approach makes it accessible for beginners on a pedalboard, but its complex grain also rewards demanding musicians seeking textures.\u003c\/p\u003e\u003cp\u003eIn terms of styles, it excels in \u003cstrong\u003egarage rock\u003c\/strong\u003e, \u003cstrong\u003e70s rock\u003c\/strong\u003e, \u003cstrong\u003epunk\u003c\/strong\u003e, \u003cstrong\u003estoner\u003c\/strong\u003e, \u003cstrong\u003ealternative\u003c\/strong\u003e, and anything that requires saturation that \"cuts\" through the mix. For sounds reminiscent of Pete Townshend, but also more modern colors like The Black Keys, The White Stripes, Beastie Boys, or Mudhoney, it becomes a weapon for riffs and leads. In the studio, it adds very dense harmonic layers\u0026#59; live, it fills the space with immediate presence.\u003c\/p\u003e\u003ch3\u003eControls and Features: Simple but Formidable\u003c\/h3\u003e\u003cp\u003eThe Supreme gets straight to the point: two main potentiometers and two switches to shape the circuit's response. The \u003cstrong\u003eVolume\u003c\/strong\u003e controls the output level, useful for balancing volume in bypass or, conversely, pushing the input of an already hot amp. The \u003cstrong\u003eExpand\u003c\/strong\u003e control adjusts the intensity and breadth of the fuzz, affecting the sense of compression, density, and how the pedal \"overflows\" on attacks.\u003c\/p\u003e\u003cp\u003eOn the left, two toggles expand the palette. The \u003cstrong\u003eTone\u003c\/strong\u003e switch activates a setting that scoops the mids and tightens the attack: perfect for making the fuzz more manageable, clearer, and better suited to chords. The \u003cstrong\u003eMode\u003c\/strong\u003e switch activates the \u003cstrong\u003e\"JHS Mode\"\u003c\/strong\u003e, with a more pronounced octave, thicker mids, and more available volume: ideal for cutting leads, beefier riffs, or compensating for a very dark amp.\u003c\/p\u003e\u003cp\u003eFinally, the pedal offers \u003cstrong\u003etrue bypass\u003c\/strong\u003e to preserve signal integrity when the effect is off.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Supreme's signature is this blend of \u003cstrong\u003egranular fuzz\u003c\/strong\u003e and \u003cstrong\u003eupper octave\u003c\/strong\u003e that emerges with a wild edge. The low end remains substantial, harmonics are abundant, and the sense of \"vibration\" gives an almost synthetic dimension depending on your guitar and attack. On a single note, the octave can become biting and singing\u0026#59; on chords, the texture turns into a thick, rough wall of sound.\u003c\/p\u003e\u003cp\u003eIt reacts strongly to playing dynamics: aggressive pick attack yields sharp attacks, lighter playing produces tighter, more nervous nuances. Paired with an amp already on the edge, it becomes explosive\u0026#59; in a powerful clean setting, it retains a raw and articulated character. And if you're looking for octave fuzz reminiscent of the classics heard with \u003cstrong\u003eThe Who\u003c\/strong\u003e (Pete Townshend) and in more modern aesthetics like \u003cstrong\u003eThe Black Keys\u003c\/strong\u003e, \u003cstrong\u003eThe White Stripes\u003c\/strong\u003e, \u003cstrong\u003eBeastie Boys\u003c\/strong\u003e, or \u003cstrong\u003eMudhoney\u003c\/strong\u003e, the Supreme is built for those territories.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] 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style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVolume, Expand\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEnclosure\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emetal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone, Mode (JHS Mode)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e144 x 92 x 51 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd 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battery\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm mono jack (TS, unbalanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jhs Pedals","offers":[{"title":"Default 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