{"product_id":"keeley-loomer-fuzz-reverb-250588","title":"Loomer Fuzz Reverb","description":"\u003ch3\u003eA Loomer Designed as a Love Letter to Shoegaze\u003c\/h3\u003e\u003cp\u003eThe Keeley Loomer was conceived for guitarists who live between the attack of a thick fuzz and the depth of an \"oceanic\" reverb. Its approach clearly embraces the Shoegaze and noise-pop aesthetic: wide, dense, sometimes opaque sounds that transform a simple riff into a soundscape. If your sonic culture ranges from My Bloody Valentine to The Jesus and Mary Chain, the Loomer naturally fits within this lineage, with modern ergonomics tailored for the pedalboard.\u003c\/p\u003e\u003ch3\u003eWho Is the Loomer For, and In Which Contexts Does It Make a Difference?\u003c\/h3\u003e\u003cp\u003eThe Loomer is aimed at guitarists from beginner to professional levels who want quick access to spectacular textures without stacking multiple pedals. It excels in \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003ealternative\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003edream pop\u003c\/strong\u003e, but is also formidable for thickening a chorus in rock or creating atmospheres in song intros.\u003c\/p\u003e\u003cp\u003eIn the studio, it serves as a layer generator (doubles, drones, pads). Live, its benefit is immediate: you switch from a fuzzy rhythmic sound to a sea of reverb while maintaining a strong identity in the mix. On a pedalboard, it can function as the main \"color block\" or as a secondary texture dedicated to atmospheric passages.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Options: A True Fuzz + Reverb Workstation\u003c\/h3\u003e\u003cp\u003eThe Loomer combines two distinct sections (fuzz and reverb) each with their own controls and playing logic. On the reverb side, you adjust the blend and decay length, then select your playground via the mode selector. On the fuzz side, you sculpt the output level, texture, and frequency balance to go from compact thickness to a more scooped and cutting sound.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eHall\u003c\/strong\u003e mode targets long ambiances, with a wide and enveloping feel, plus the possibility to add octave regeneration in the feedback loop for shimmer-like brightness. The \u003cstrong\u003eReverse\u003c\/strong\u003e mode is inspired by famous rack units (SPX90, Midiverb 2): here, it leans more towards an adjustable reverse-delay sensation, with 8 time variations (150 ms, 200 ms, 250 ms, 300 ms, 350 ms, 400 ms, 450 ms, and 500 ms). The \u003cstrong\u003eFocus\u003c\/strong\u003e mode was designed as an alternative to the FX500 spirit, combining a more opaque reverb and two parallel delays (250 ms and 380 ms) to create complex halos.\u003c\/p\u003e\u003cp\u003eA crucial point for the sound: a \u003cstrong\u003erear switch\u003c\/strong\u003e allows you to choose the effect order (\u003cstrong\u003efuzz before reverb\u003c\/strong\u003e or \u003cstrong\u003ereverb before fuzz\u003c\/strong\u003e ). Fuzz before reverb delivers a clearer attack with reverb \"lifting\" behind the note, whereas reverb before fuzz compresses and dirties the pad, perfect for textured walls and crashing chords.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe fuzz section is described as \u003cstrong\u003ethick, dirty, powerful\u003c\/strong\u003e, and very present, with a personality close to a Big Muff: lots of substance, musical compression, and excellent chord-holding capability without collapsing. The three modes (Flat, Full, Scoop) allow adapting the mix placement: Flat for balance, Full for maximum density, Scoop for a wider and scooped character typical of some '90s sounds.\u003c\/p\u003e\u003cp\u003eThe reverb focuses on \u003cstrong\u003edramaturgy\u003c\/strong\u003e : depth, generous tails, and textures inspired by studio processors. The Loomer responds well to playing dynamics: attacking hard triggers a grainy storm\u0026#59; playing softer yields silky, hypnotic pads. Among guitarists associated with this universe, the Loomer has notably been spotted with \u003cstrong\u003eKevin Shields\u003c\/strong\u003e, and seen in texture-oriented rigs of artists like \u003cstrong\u003eRay Toro\u003c\/strong\u003e or \u003cstrong\u003eDallas Green\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Distortion \/ Overdrive \/ Fuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eReverb Section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlend, Decay, Warmth, Depth, Focus \/ Reverse \/ Hall mode switch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFuzz Section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLevel, Filter, Fuzz, Flat \/ Full \/ Scoop mode switch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e120mm x 100mm x 60mm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eminimum 75 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":54359659118867,"sku":"250588","price":344.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2065375dc2a9566498bab6e5e625137930b44c87_KEELEY_KLOOMER.jpg?v=1789382166","url":"https:\/\/woodbrass.shop\/products\/keeley-loomer-fuzz-reverb-250588","provider":"Woodbrass.com","version":"1.0","type":"link"}