{"product_id":"leduc-rabbath-francois-nouvelle-technique-de-la-contrebasse-vol-2-252178","title":"RABBATH FRANCOIS - NOUVELLE TECHNIQUE DE LA CONTREBASSE VOL.2","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eWith few historically dedicated study books for the double bass, the three-volume series \u003cstrong\u003eNew Technique for the Double Bass\u003c\/strong\u003e has established itself as a major resource for players. This \u003cstrong\u003esecond volume\u003c\/strong\u003e represents an important contribution to double bass teaching and offers a technical path focused on essential fundamentals for progression: \u003cstrong\u003escales\u003c\/strong\u003e, \u003cstrong\u003earpeggios\u003c\/strong\u003e, \u003cstrong\u003ebow strokes\u003c\/strong\u003e, as well as a set of \u003cstrong\u003eexercises\u003c\/strong\u003e and \u003cstrong\u003estudies\u003c\/strong\u003e designed to consolidate intonation, fluidity, and consistency of playing.\u003c\/p\u003e\u003cp\u003eBorn in Syria, François Rabbath moved to \u003cstrong\u003eParis in 1955\u003c\/strong\u003e to continue his studies. He then developed a comprehensive activity around the instrument: performance, composition, and transcription of works by other composers for the double bass. This experience directly informs the writing of \u003cstrong\u003eNew Technique for the Double Bass\u003c\/strong\u003e : the method is created by a \u003cstrong\u003evirtuoso\u003c\/strong\u003e accustomed to solo performance, with a practical vision of the real needs of the double bassist.\u003c\/p\u003e\u003cp\u003eThis volume is particularly relevant for structuring precise and progressive technical work, emphasizing essential tools for musicality: understanding scale and arpeggio patterns, left hand\/right hand coordination, and a variety of bow articulations. Thanks to its \u003cstrong\u003einstructions in four languages\u003c\/strong\u003e (English, French, German, Spanish), the book is suitable for both self-study and use within lessons, whether in conservatories or specialized teaching.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrançois Rabbath\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish, French, German, Spanish\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edouble bass\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Leduc","offers":[{"title":"Default Title","offer_id":54361236242707,"sku":"252178","price":44.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3a2c117cad0b8ac426d3a30096f5b567e93f0fb4_AL25806.jpg?v=1789408404","url":"https:\/\/woodbrass.shop\/products\/leduc-rabbath-francois-nouvelle-technique-de-la-contrebasse-vol-2-252178","provider":"Woodbrass.com","version":"1.0","type":"link"}