{"product_id":"lehle-parallel-sw-ii-311983","title":"Parallel SW Ii","description":"\u003ch3\u003eA LEHLE Tool Designed for Modern Rigs: From Pedalboard to Amp Loop\u003c\/h3\u003e\u003cp\u003eThe LEHLE PARALLEL SW II aligns with the brand's philosophy: offering routing and switching solutions designed to preserve signal integrity, even in the most demanding setups. Here, the goal is clear: to integrate one or more effects processors within an original signal without losing dynamics, definition, or playing feel. Whether you want to keep the attack and presence of your direct sound while adding delay, reverb, or more complex treatments, this compact format is designed to become a reliable \"center of gravity\" at the heart of your signal chain.\u003c\/p\u003e\u003ch3\u003eWho Is the LEHLE PARALLEL SW II For and How to Use It?\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at guitarists and bassists (and more broadly musicians using pickups or line sources) who want clean and musical control over the dry\/wet mix. It's ideal if you play in \u003cstrong\u003estudio\u003c\/strong\u003e and want to precisely dose an effect without re-recording, or \u003cstrong\u003elive\u003c\/strong\u003e to maintain a consistent balance regardless of the backline. Styles that particularly benefit from a parallel loop range from \u003cstrong\u003eblues\u003c\/strong\u003e and \u003cstrong\u003erock\u003c\/strong\u003e (to thicken without muddying the attack) to \u003cstrong\u003eambient\u003c\/strong\u003e (to layer textures while keeping playing clarity), as well as \u003cstrong\u003emodern\u003c\/strong\u003e sounds where direct signal clarity is essential.\u003c\/p\u003e\u003cp\u003eThe PARALLEL SW II works equally well \u003cstrong\u003ebefore the amp\u003c\/strong\u003e (as a compact mixer between your instrument and effects) or \u003cstrong\u003ein the amp's effects loop\u003c\/strong\u003e. It allows you to add and blend the effects signal with the original signal, with independently adjustable send and return levels: practical for adapting both a pedal effect and a rack-format processor to your reference level, without suffering losses or imbalances.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Design: Your Parallel Loop to the Millimeter\u003c\/h3\u003e\u003cp\u003eThe core of the experience is the blend management. The \u003cstrong\u003eMix\u003c\/strong\u003e knob lets you adjust the ratio between your original signal and the processed signal to find the ideal balance point: a hint of space without masking the attack, wide but controlled modulation, or a present delay that doesn't \"swallow\" the playing's grain. Going further, the \u003cstrong\u003esend and return levels\u003c\/strong\u003e are adjustable independently: you can optimize gain staging, avoid overloading an effect's input, or conversely push a processor that sounds better with a higher input level.\u003c\/p\u003e\u003cp\u003eAll connections are made in \u003cstrong\u003estereo\u003c\/strong\u003e, facilitating the integration of stereo processors into a coherent signal flow. Another particularly practical point: the LEHLE PARALLEL SW II allows you to \u003cstrong\u003ecombine mono and stereo signals\u003c\/strong\u003e. Concretely, you can easily integrate an effect with a mono input and stereo output, then blend it with the original signal in a clean configuration designed for both stage and studio.\u003c\/p\u003e\u003cp\u003eRegarding switching, LEHLE relies on modern logic: a \u003cstrong\u003emicrocontroller\u003c\/strong\u003e controls a true-bypass via \u003cstrong\u003erelays\u003c\/strong\u003e with an \u003cstrong\u003eactive switching noise suppression\u003c\/strong\u003e system. The result: fast switching, no mechanical wear, and above all no unwanted \"pop\" when activating or deactivating the loop. The brand's signature soft-touch \"mushroom\" footswitch is mounted to limit mechanical stress on the electronics: foot pressure is transmitted indirectly via a spring, enhancing robustness for intensive use.\u003c\/p\u003e\u003cp\u003eFinally, the PARALLEL SW II offers \u003cstrong\u003ethree operating modes\u003c\/strong\u003e to adapt the footswitch behavior to your playing: \u003cstrong\u003elatching\u003c\/strong\u003e (sustained switching), \u003cstrong\u003emomentary\u003c\/strong\u003e (perfect for stutter effects, rhythmic interventions, or punctuations), and a \u003cstrong\u003emixed\u003c\/strong\u003e mode where a short press switches latching while a long press acts momentarily. This transforms a simple parallel loop into a true creative tool.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe LEHLE PARALLEL SW II is designed to remain \u003cstrong\u003etransparent\u003c\/strong\u003e and respect your instrument's dynamics. Thanks to its discrete class A JFET input stages, it adapts equally well to \u003cstrong\u003ehigh-impedance\u003c\/strong\u003e instruments (passive guitars or basses) and \u003cstrong\u003elow-impedance\u003c\/strong\u003e sources (keyboards, active instruments), while maintaining a very wide bandwidth (20 to 100,000 Hz). In practice, you keep a solid direct sound with clear attack and add the effect \"around\" the signal without any veil effect.\u003c\/p\u003e\u003cp\u003eThe advertised dynamic range of 122 dB and the internal 30 V architecture aim to provide \u003cstrong\u003eample headroom\u003c\/strong\u003e : useful if you want to integrate a studio processor, handle line levels, or simply avoid any unwanted compression when playing loudly. The sought-after result is a clean, stable, and musical dry\/wet mix that highlights your touch rather than smoothing it out.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol 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style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehigh-impedance instruments (guitar, bass, acoustic with pickups) and low-impedance sources (keyboard, active instruments)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e3 switching modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elatching, momentary, mixed (short\/long press)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd 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