{"product_id":"lemoine-belot-gaelle-flute-du-merle-sifflements-des-crapauds-vol-2-389544","title":"Belot Gaelle - Flûte Du Merle Sifflements Des Crapauds... Vol.2","description":"\u003ch3\u003eSummary of This Collection\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eContemporary Pieces for 2nd Cycle Flutists\u003c\/strong\u003e is part of the \"Flûte du merle et sifflement des crapauds\" series, two volumes dedicated to flutists in training (1st and 2nd cycles). The goal is clear: to enable tomorrow's performer to familiarize themselves with \u003cstrong\u003etoday's sound materials\u003c\/strong\u003e, through pieces written for conservatory students and truly brought to life by them in practice and performance situations.\u003c\/p\u003e\u003cp\u003eDirected by \u003cstrong\u003eGaëlle Belot\u003c\/strong\u003e (flute teacher and harmony conductor at the Conservatoire d'Ivry-sur-Seine), this collection was designed as a progressive framework for discovering the \u003cstrong\u003econtemporary repertoire for solo flute\u003c\/strong\u003e. By commissioning composers and guiding them, she steered the writing to best meet the pedagogical challenges of the 2nd cycle: rhythmic precision, timbre listening, breath control, articulation, musicality, and reading autonomy.\u003c\/p\u003e\u003cp\u003eThe assembled pieces thus provide ideal material for constructing varied sessions: sound work, setup, interpretation, and aesthetic openness. For the teacher, it is a valuable resource to integrate contemporary music into the student's curriculum without making it intimidating\u0026#59; for the student, it is an opportunity to develop curiosity, refine playing, and enrich their audition program with current works.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCollective (Juan Arroyo, Sina Fallazadeh, Ramon Lazcano, Joël Mérah, Didier Rotella, Claire-Mélanie Sinnhuber, Mikel Urquiza, Nastaran Yazdani)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eContemporary score\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSolo flute\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2nd cycle (conservatory)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlûte du merle et sifflement des crapauds\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54358287778067,"sku":"389544","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d6b5d73f09c77ad25386a966f9304e922bde67da_9790230997553_8c0269b1-f164-47fc-a649-ef657062d2c9.jpg?v=1789436378","url":"https:\/\/woodbrass.shop\/products\/lemoine-belot-gaelle-blackbird-flute-toad-whistles-vol-2-389544","provider":"Woodbrass.com","version":"1.0","type":"link"}