{"product_id":"lemoine-canatchizy-danse-de-l-aube-contrebasse-solo-70318","title":"Canatchizy - Danse De L'aube - Contrebasse Solo","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eCommissioned by the \u003cstrong\u003eMinistry of Culture\u003c\/strong\u003e, this piece for \u003cstrong\u003esolo double bass\u003c\/strong\u003e was initially conceived without choreographic intent. The idea of a dance emerged later during a residency in Metz, when choreographer \u003cstrong\u003eSusan Buirge\u003c\/strong\u003e proposed to create a dialogue between music and movement, precisely when Joëlle Léandre and the composer were in residence. From this encounter was born \u003ci\u003eDanse de l'aube\u003c\/i\u003e, a work where instrumental writing suggests bodily energy, pulse, and trajectory.\u003c\/p\u003e\u003cp\u003eThe title explicitly refers to the biblical episode of Jacob's wrestling with the angel (Genesis), a struggle carried out \"until the break of dawn.\" This image illuminates the listening and interpretation: the double bass becomes a solitary voice, grappling with a sound material that is sometimes resistant, sometimes luminous, as if the instrument seeks its balance between confrontation and apparition. The score thus highlights the dramatic and poetic dimension of the solo, focusing attention on the articulation of gesture, the density of timbre, and the continuity of discourse.\u003c\/p\u003e\u003cp\u003eWithin a \u003cstrong\u003econtemporary music\u003c\/strong\u003e context, this score is aimed at double bassists wishing to explore demanding and embodied writing, suitable both for the stage and for sonic research work. It naturally fits into a program dedicated to female composers, the contemporary French repertoire, or short pieces with a strong musical identity.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEdith Canat de Chizy\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtemporary score\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJoëlle Léandre\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esolo double bass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eYear of Publication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1998\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54359444095251,"sku":"70318","price":14.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4d46046f36fcf4c934ff258347d984512c5711d6_9790230970570_db449169-f5af-458b-ac23-4ad9134e6187.jpg?v=1789444590","url":"https:\/\/woodbrass.shop\/products\/lemoine-canat-de-chizy-e-danse-de-l-aube-contrebasse-solo-70318","provider":"Woodbrass.com","version":"1.0","type":"link"}