{"product_id":"lemoine-charritat-m-a-pattey-s-fm-3eme-cycle-tout-compris-vol-2-audition-138381","title":"CHARRITAT M.A.\/ PATTEY S. - FM 3EME CYCLE : TOUT COMPRIS ! - VOL. 2 : AUDITION","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eDesigned to support students throughout the third cycle, this method offers a progressive and structured musical training, with a clear goal: to develop a solid musical understanding in the service of interpretation. The pedagogical principle is simple and effective: to master a concept, it is often necessary to revisit it from the basics. Thus, the expected learning outcomes over the entire third cycle are integrated within each volume, allowing continuous review, consolidation, and deepening.\u003c\/p\u003e\u003cp\u003eThe method is organized into three complementary volumes: Sight-Reading, Intonation, and Theory. The originality of the set lies in the fact that the same works are studied from these three perspectives. This coherence fosters natural connections between rhythmic and melodic sight-reading, the demand for accuracy and inner listening, as well as the analysis of theoretical elements (construction modes, functions, tonal landmarks, etc.). The student progresses with stable reference points, while the teacher has a practical support to articulate the essential skills of the cycle.\u003c\/p\u003e\u003cp\u003eThis volume dedicated to intonation forms a whole with Books I and III, respectively devoted to sight-reading and theory. It is part of a regular practice approach for the ear, accuracy, and musical precision, directly linked to the works studied. An associated blog complements the book with useful resources, including audio content and discographic references related to the studied works.\u003c\/p\u003e\u003cp\u003eWritten collaboratively by Marie-Alice Charritat and Sophie Pattey, this tool is based on field experience and a strong passion for teaching. It is aimed at both students and teachers seeking a clear, demanding, and motivating support to progress \"with joy\" without losing sight of the essential: making musical training a true language.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTheory - Harmony\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMarie-Alice Charritat; Sophie Pattey\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusical training (all instruments)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eThird cycle\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusical training method\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54358155690259,"sku":"138381","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/62e4f2db7d420d9c5f6bb9c46e19e181897231b7_28916.jpg?v=1789444579","url":"https:\/\/woodbrass.shop\/products\/lemoine-charritat-m-a-pattey-s-music-theory-3eme-cycle-everything-included-vol-2-audition-138381","provider":"Woodbrass.com","version":"1.0","type":"link"}