{"product_id":"lemoine-labrousse-repertoire-de-melodies-vol-2-36966","title":"Labrousse - Répertoire De Mélodies Vol.2","description":"\u003ch3\u003eSummary of This Book\u003c\/h3\u003e\u003cp\u003eThis volume gathers carefully selected melodies and lieder to support students at the end of the 1st cycle (generally 3rd or 4th year of musical studies). A chronological organization has been favored to develop solid reference points: throughout the pieces, the student discovers varied styles and learns to recognize the writing characteristics specific to each era and composer. Teachers can thus select pieces based on level, progression, and objectives (sight-reading, ear training, culture, text work).\u003c\/p\u003e\u003cp\u003eTo strengthen the essential link between \u003cstrong\u003etext and music\u003c\/strong\u003e, it is recommended to first approach the reading (with note names), then sing with the lyrics. Thanks to the piano accompaniment, the student can also work actively: error spotting, vertical and horizontal reading, recognition of intervals and chords, rhythmic reading, as well as dictation exercises. \u003cstrong\u003eContents:\u003c\/strong\u003e BEETHOVEN: Feuerfarb\u0026#59; BERLIOZ: La damnation de Faust (Le Roi de Thulé)\u0026#59; BIZET: Pastel\u0026#59; BORODIN: Chez les autres\u0026#59; CHABRIER: Villanelle de petits canards\u0026#59; EXAUDET: Menuet\u0026#59; GOUNOD: Le médecin malgré lui (air de la bouteille)\u0026#59; GRANADOS: Amor y Odio\u0026#59; GRIEG: Erstes Begegnen\u0026#59; HAENDEL: Alcina\u0026#59; KOECHLIN: Duo a capella\u0026#59; MASSENET: Manon (1st act, 3 voices)\u0026#59; MAXWELL-DAVIES: At the shore\u0026#59; MOUSSORGSKY: Sans soleil\u0026#59; RAMEAU: Dardanus (act II, scene 2)\u0026#59; SCHUBERT: Der Schatzgrüber\u0026#59; NEGRO SPIRITUAL: I got a home in-a-dat Rock.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusical dictation\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCollective (Beethoven, Berlioz, Bizet, Borodin, Chabrier, Exaudet, Gounod, Granados, Grieg, Haendel, Koechlin, Massenet, Maxwell-Davies, Moussorgsky, Rameau, Schubert, Negro Spiritual)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench and foreign languages (meaning translation provided for non-French texts)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVoice and piano (with one a cappella piece and excerpts for multiple voices depending on the pieces)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnd of 1st cycle (approximately 3rd or 4th year)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusic theory, melodies and lieder\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54358306750739,"sku":"36966","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/abbe78dc8ede5ad7a297daadc3514eb3a61f8044_HEXA26660.jpg?v=1789457217","url":"https:\/\/woodbrass.shop\/products\/lemoine-labrousse-melody-repertoire-vol-2-36966","provider":"Woodbrass.com","version":"1.0","type":"link"}