{"product_id":"lemoine-murail-la-vallee-close-po-pies-mezzo-soprano-clarinette-violon-alto-et-violoncelle-356479","title":"Murail - La Vallée Close Po+Pies - Mezzo-Soprano Clarinette Violon Alto Et Violoncelle","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score takes as its starting point an intimate spatio-temporal triangulation: Petrarch, Liszt, Fontaine-de-Vaucluse. Tristan Murail connects these three poles with the sensitivity of an author and sound architect, relying on the emotional power of the poems from the \u003cstrong\u003eCanzoniere\u003c\/strong\u003e and on the musical lineage that unites, at a distance, Liszt's inventiveness and Petrarch's romantic intensity.\u003c\/p\u003e\u003cp\u003eThe textual material comes from three sonnets chosen by Liszt for his famous pieces in the \"Years of Pilgrimage\": no. 47 \u003cstrong\u003eBenedetto sia 'l giorno...\u003c\/strong\u003e, no. 104 \u003cstrong\u003ePace non trovo...\u003c\/strong\u003e, and no. 123 \u003cstrong\u003eI' vidi in terra...\u003c\/strong\u003e. Here, the excerpts are not simply juxtaposed: they respond to and intersect with each other, even blending together, to build a continuous expressive journey. Some stanzas are deliberately omitted, and the original texts are provided in the appendix to clarify the editorial choices.\u003c\/p\u003e\u003cp\u003eThe text is in \u003cstrong\u003eOld Tuscan\u003c\/strong\u003e, slightly different from modern Italian, and is based on hendecasyllabic verses whose balance depends on tonic accents. This particularity has direct consequences on prosody and rhythm, especially when two vowels follow each other between two words, forming a single unit of diction. Murail indicates that he endeavored to take these mechanisms into account in the vocal writing, in order to achieve a line that serves both the verb and the intrinsic musicality of the language.\u003c\/p\u003e\u003cp\u003eThe score does not seek quotation: there is no explicit musical reference to Liszt's pages, except for a rhythmic gesture entrusted to the strings in the sections related to \u003cstrong\u003ePace non trovo\u003c\/strong\u003e, which may evoke the introductory impulse of the 104th sonnet in Liszt. The result fits within an aesthetic where timbre, harmonic tension, and the dramaturgy of the text build a work that is both demanding and deeply evocative.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTristan Murail\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eItalian (Old Tuscan)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54362000982291,"sku":"356479","price":66.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fdf7934bb1520c277be11387e1e81508bb5dd016_9790230982313.jpg?v=1789478589","url":"https:\/\/woodbrass.shop\/products\/lemoine-murail-la-vallee-close-po-pies-mezzo-soprano-clarinet-violin-viola-and-cello-356479","provider":"Woodbrass.com","version":"1.0","type":"link"}