{"product_id":"lemoine-on-aime-la-fm-vol-3-siciliano-52945","title":"On Aime La FM Vol.3 - Siciliano","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eDesigned for children in Music Theory - 3rd year, this method guides the student towards true autonomy in reading and listening. The principle is concrete: starting from a short musical text read or heard, stimulating curiosity, then establishing solid reflexes to connect what is seen on the staff with what is perceived by ear. To anchor the skills, it is highly recommended to play the exercises on the student's instrument: note reading, intonation, pulse, and phrasing then become directly useful in instrumental lessons.\u003c\/p\u003e\u003cp\u003eThe content is organized into 13 lessons, supplemented by 4 \"listening and discovery\" sequences, 8 technical pages, 3 aural analyses, 2 supplements dedicated to \"note reading\" and \"rhythmic work,\" as well as 9 \"great melodies.\" These melodies help develop phrasing, breathing, dynamics, and musicality, while giving meaning to singing and listening. Each lesson combines note work, rhythmic work (nursery rhymes, clapped rhythms, reading, riddles), vocal and ear training activities, as well as intentionally simple theory and analysis to remain accessible and progressive.\u003c\/p\u003e\u003cp\u003eTargeted games and complementary exercises encourage regular practice between lessons, ideal for conservatory or music school settings. The proposed order should be followed to fully benefit from the listening sequences distributed throughout the course. The end of the book introduces songs with different structures, gradually leading the child towards a more developed \"melody,\" with adaptable learning: the goal is to consolidate each step, even if it means completing the method over a school year or longer depending on the class pace.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusic theory\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eall instruments (music theory)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emusic theory\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3rd year\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54361738772755,"sku":"52945","price":28.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1522b0289eeff0ac0cb09b2a8f120edb8e1fca05_9790230985000.jpg?v=1792656624","url":"https:\/\/woodbrass.shop\/products\/lemoine-on-aime-la-fm-vol-3-siciliano-52945","provider":"Woodbrass.com","version":"1.0","type":"link"}