{"product_id":"lemoine-postel-vinay-emilie-methode-de-contrebasse-39038","title":"POSTEL-vinay Emilie - Methode De Contrebasse","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eWriting a double bass method when teaching requires as much rigor as generosity. This method by Émilie Postel-Vinay fits precisely within this transmission approach: a solid \u003cstrong\u003eclassical\u003c\/strong\u003e foundation, enriched with an \u003cstrong\u003einventive\u003c\/strong\u003e touch that makes learning lively and motivating. It is praised for its effectiveness by double bassist and educator Sylvain Wiener, who highlights the quality of the work and the commitment necessary for such an undertaking.\u003c\/p\u003e\u003cp\u003eThe double bass has evolved significantly: long confined to an accompanying role, it now asserts a true soloist personality while remaining a harmonic and rhythmic pillar of the orchestra. This evolution has led to new technical demands, and this method addresses exactly that, with a progression adapted for \u003cstrong\u003ebeginners\u003c\/strong\u003e (young students as well as adults).\u003c\/p\u003e\u003cp\u003eEach lesson is organized into three complementary major stages. First, a technical section focused on \u003cstrong\u003etone\u003c\/strong\u003e and \u003cstrong\u003efinger agility\u003c\/strong\u003e, to establish good instrumental reflexes. Next, a section dedicated to \u003cstrong\u003eduets\u003c\/strong\u003e : the student plays with their teacher from the beginning, which promotes ear training, setup, balance, and the desire to perform quickly. Finally, the method offers \u003cstrong\u003epieces accompanied by piano\u003c\/strong\u003e, ideal for developing musicality, phrasing, and interpretative sense. The whole is complemented by some riddles and popular songs, to vary approaches and maintain the pleasure of progressing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eÉmilie Postel-Vinay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLevel 1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edouble bass (with piano accompaniment on certain pieces)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e103\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54356936294675,"sku":"39038","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0a182bb16012f83ab8c9ca76f90bdba184b0aee0_9790230982689.jpg?v=1789465968","url":"https:\/\/woodbrass.shop\/products\/lemoine-postel-vinay-emilie-double-bass-method-39038","provider":"Woodbrass.com","version":"1.0","type":"link"}