{"product_id":"lemoine-etude-de-l-orchestration-adler-114984","title":"Étude De L'Orchestration - Adler","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e \u003cp\u003eMore than 150 years after Berlioz and following the major pedagogical works on orchestration, Henry Lemoine editions finally publish in French Samuel Adler's \u003cstrong\u003eThe Study of Orchestration\u003c\/strong\u003e, an adaptation of a work that has become essential for understanding the orchestra and writing accurately for each section. Designed as a \u003cstrong\u003epractical treatise\u003c\/strong\u003e, this book is aimed at musicians from all backgrounds wishing to consolidate their orchestral knowledge, refine their listening skills, and structure their writing (composition, arrangement, analysis, orchestration).\u003c\/p\u003e \u003cp\u003eThis edition stands out for the breadth of its content: the original text, already very dense, is here \u003cstrong\u003eexpanded\u003c\/strong\u003e to meet the demands of in-depth pedagogical use. It notably includes the perspective of \u003cstrong\u003eGilbert Amy\u003c\/strong\u003e on the orchestra and its challenges in contemporary music, as well as specific chapters by \u003cstrong\u003eBruno Gillet\u003c\/strong\u003e devoted to the \u003cstrong\u003ehuman voice\u003c\/strong\u003e, a domain often treated separately yet essential when addressing color, projection, and balance with the orchestra.\u003c\/p\u003e \u003cp\u003eThe translation and annotation work by \u003cstrong\u003ePhilippe Vernier\u003c\/strong\u003e adds a particularly useful dimension to the study: comments, landmarks, and clarifications facilitate the gradual assimilation of concepts, whether the book is read continuously or used as a daily reference. Finally, the \u003cstrong\u003eenhanced index\u003c\/strong\u003e allows quick retrieval of a technique, instrument, register, timbre concept, or writing point, making the volume effective both for study and for practical use in orchestration workshops.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTheory - Harmony\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSamuel Adler\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethod - studies\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLemoine\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1136\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAll instruments\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eYear of Publication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2011\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54358041493779,"sku":"114984","price":123.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6cd44b08b7a88729ef5f88a9a8d6c06a904b4fd0_28212BIS.jpg?v=1789422620","url":"https:\/\/woodbrass.shop\/products\/lemoine-study-of-orchestration-adler-114984","provider":"Woodbrass.com","version":"1.0","type":"link"}