{"product_id":"lemoine-vassiliena-vocalises-minute-vx-baryton-baryton-basse-et-piano-241485","title":"Vassiliena - Vocalises Minute VX Baryton - BARYTON-basse et Piano","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePresentation\u003c\/strong\u003e \u003cbr \/\u003eThese vocalises were designed to push the voice towards greater agility and freedom, while remaining firmly grounded in precise technique. The work addresses demanding fundamentals (intervals, range, chromaticism, speed) and more specific vocal gestures such as slanci\/glissandi, quarter tones, and sustaining sound at very low intensity, culminating in a decrescendo ending on \"un fil di voce\".\u003c\/p\u003e\u003cp\u003eThe method also emphasizes rhythmic musicality: the singer learns to overlay the text onto a constant internal pulse, even when the melody becomes complex. The tenuti open a space for imagination and interpretation, with passages where the text can be freely placed, while breaths (sometimes ghostly, sometimes deliberate) become an expressive material in their own right.\u003c\/p\u003e\u003cp\u003eArticulation is central to the approach: placement of the text \"in the mouth,\" the role of the lips in acoustics, awareness of the palate and resonance areas, especially in the high and super-high registers. \u003cstrong\u003eSprechgesang\u003c\/strong\u003e holds an important place, alongside various vocal effects and actions (clusters, arpeggios, crying, laughing, breathy sounds, rauco, tongue clicks, glottal vibrato, etc.), with the learning of their signs and \"cryptograms\".\u003c\/p\u003e\u003cp\u003eThe texts rely on a repertoire of deliberately well-known and memorized classical operas by the singers: these arias become a technical playground where virtuosity, phonemes, and stylistic transformations take precedence over textual continuity. The whole is aimed at experienced singers, while triggering real awareness about the connection between voice, repertoire, ease of emission, and stage engagement.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eContent\u003c\/strong\u003e \u003cbr \/\u003eI. Le charmant - II. MAB - III. L'illuminé - IV. Maudite Marguerite - V. La loge de scène - VI. Una cosa stravagante - VII. Vulcain - VIII. O toi, ma Mie, je t'attendrai ce soir - IX. Le malheureux Philippe - X. Sarastromin\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoice (baritones and basses)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadvanced (experienced singers)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esinging method, vocalises\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54357189656851,"sku":"241485","price":23.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ecd70d7b0855e141658b8f45320c11c39fad8ea8_9790230992459_99ae11f8-1be3-4451-aba9-672443cc50d8.jpg?v=1789478591","url":"https:\/\/woodbrass.shop\/products\/lemoine-vassilieva-elena-vocalises-minute-baryton-basse-piano-241485","provider":"Woodbrass.com","version":"1.0","type":"link"}