{"product_id":"les-musiciens-de-saint-julien-tartini-g-regles-pour-arriver-a-savoir-bien-jouer-du-violon-385187","title":"Tartini G. - Règles pour Arriver à Savoir Bien Jouer Du Violon","description":"\u003ch3\u003eSummary of This Book\u003c\/h3\u003e\u003cp\u003eGiuseppe Tartini (1692-1770) presents the \u003cstrong\u003eRules for Learning to Play the Violin Well\u003c\/strong\u003e as a useful guide for all musicians, both singers and instrumentalists. The reader quickly discovers that the goal is not to revisit the basics of instrumental technique, but to delve into the heart of \u003cstrong\u003estyle\u003c\/strong\u003e : how to \u003cstrong\u003eornament\u003c\/strong\u003e a melodic line tastefully, vary a repeat, enrich a musical discourse without overloading it, and above all construct coherent, idiomatic, and expressive \u003cstrong\u003eimprovised cadenzas\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eThis edition offers the translation of an \u003cstrong\u003eundated Italian manuscript\u003c\/strong\u003e preserved in Venice, providing direct access to a pedagogical approach from one of the great European centers of violin playing. Tartini, founder and director of his school in Padua for over forty years, conveys here a demanding vision of musicality: ornamentation is never merely decorative\u0026#59; it serves the phrase, the breathing, the affect, and the rhetoric. The text thus proves particularly relevant for approaching the repertoire of the 17th and 18th centuries, and for refining the listening of characteristic \u003cstrong\u003eaccents, inflections, appoggiaturas, diminutions\u003c\/strong\u003e, and connections in interpretation.\u003c\/p\u003e\u003cp\u003eThe volume also includes a new translation of the \u003cstrong\u003eLettera alla signora Maddalena Lombardini\u003c\/strong\u003e, formulated as a series of recommendations addressed to a student. These advices complement the Rules with a more direct approach to daily practice, discipline, and how to achieve a convincing sound in the service of the music. The translation of the original documents was carried out under the responsibility of \u003cstrong\u003ePierre Séchet\u003c\/strong\u003e, assisted by \u003cstrong\u003eLorenzo Brondetta\u003c\/strong\u003e and \u003cstrong\u003eChristian Pointet\u003c\/strong\u003e, with a layout announced as particularly meticulous.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGiuseppe Tartini\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emethod \/ treatise on ornamentation and improvisation (cadenzas)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolin\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench (translation of an Italian manuscript)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Les musiciens de Saint-Julien","offers":[{"title":"Default Title","offer_id":54358451454227,"sku":"385187","price":28.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cfdfdec280bf57f0c60d97ee0cea20d1c0ca0660_TARTINI_SAINTJULIEN.jpg?v=1789470240","url":"https:\/\/woodbrass.shop\/products\/les-musiciens-de-saint-julien-tartini-g-rules-for-learning-to-play-the-violin-well-385187","provider":"Woodbrass.com","version":"1.0","type":"link"}