{"product_id":"maag-eq2-191420","title":"EQ2","description":"\u003ch3\u003eFrom the EQ4 Legacy to a \"No-Compromise Two-Band\" Approach\u003c\/h3\u003e\u003cp\u003eThe Mäag Audio EQ2 continues the legacy of the famous EQ4: it retains the same component quality and the renowned sonic signature known for its \u003cstrong\u003eclarity\u003c\/strong\u003e and \u003cstrong\u003epresence\u003c\/strong\u003e in the high-frequency range. While the EQ4 offers a broader equalization with multiple bands, the EQ2 goes straight to the point with a \u003cstrong\u003esingle-channel 2-band\u003c\/strong\u003e architecture designed for speed without compromising processing quality. Its 500 format makes it particularly relevant for building a high-end recording chain or multiplying channels in a rack, while maintaining a \"recall-friendly\" approach thanks to the detents on the potentiometers.\u003c\/p\u003e\u003ch3\u003eAn Equalizer Tailored for Tracking, Bus, and Intelligent Corrections\u003c\/h3\u003e\u003cp\u003eIn \u003cstrong\u003etracking\u003c\/strong\u003e, the EQ2 becomes a natural ally of preamps: the \u003cstrong\u003eINPUT ATTN\u003c\/strong\u003e allows calming an overly enthusiastic input stage, recovering headroom before conversion, or correcting transformer saturation on a mic preamp. Once the level is controlled, the AIR BAND and LMF provide quick, very clear equalization that helps to \u003cstrong\u003eplace a vocal\u003c\/strong\u003e, add attack to an acoustic take, or open up a guitar track without making it harsh.\u003c\/p\u003e\u003cp\u003eIn \u003cstrong\u003emixing\u003c\/strong\u003e and on the \u003cstrong\u003estereo bus\u003c\/strong\u003e, the LMF is particularly useful for adjusting density and warmth: its \u003cstrong\u003ewide or narrow\u003c\/strong\u003e bell curves allow thickening the low-midrange area or, conversely, clearing up a mix without losing body. The AIR BAND complements the set by adding the often sought-after sense of \"air\" and depth on vocals, overheads, strings, synths, or the final mix.\u003c\/p\u003e\u003ch3\u003eAIR BAND, LMF, and INPUT ATTN: Precision Tools Designed for the Studio\u003c\/h3\u003e\u003ch4\u003eAIR BAND: Brilliance Without Harshness, with a Highly Usable Frequency Point\u003c\/h4\u003e\u003cp\u003eThe AIR BAND is part of Mäag's DNA: it is designed to open the high-frequency spectrum with a sense of detail and relief, without turning the highs into an aggressive zone. On the EQ2, the AIR BAND additionally features a \u003cstrong\u003esecondary frequency selector\u003c\/strong\u003e centered at \u003cstrong\u003e15 kHz\u003c\/strong\u003e, particularly precise for adjusting the brightness of a vocal, the finesse of a reverb, or the \"light\" of a bus without overloading presence.\u003c\/p\u003e\u003ch4\u003eLMF: Low-Midrange Control from Sub-Bass to 1.4 kHz\u003c\/h4\u003e\u003cp\u003eThe LMF (Low Mid Frequency) covers a wide range \u003cstrong\u003efrom sub-bass up to 1.4 kHz\u003c\/strong\u003e. This is the area where most mixing decisions are made: body, warmth, proximity, but also muddiness and masking. Thanks to the choice of \u003cstrong\u003ewide or narrow\u003c\/strong\u003e bell curves, you can either gently shape for roundness or intervene more firmly to clean up a stack of tracks.\u003c\/p\u003e\u003ch4\u003eINPUT ATTN: Level Management Serving Musicality\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eINPUT ATTN\u003c\/strong\u003e (input attenuator) makes a real difference in practical situations: rather than suffering from an overly high upstream level, you adapt the signal before equalization, with attenuation up to \u003cstrong\u003e-12.5 dB\u003c\/strong\u003e. Combined with generous headroom, this facilitates modern recording chains where one seeks to maintain controlled analog behavior while avoiding unwanted overloads.\u003c\/p\u003e\u003cp\u003eFinally, the EQ2 relies on a design favoring \u003cstrong\u003eminimum phase\u003c\/strong\u003e, and on \u003cstrong\u003edetented potentiometers\u003c\/strong\u003e for immediately reproducible settings, a valuable quality when recalling a session, doubling takes, or balancing processing across multiple tracks.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eSpecifications subject to change without notice\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eequalizer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 channels\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAIR BAND\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadditional frequency selector centered at 15 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePhase shift during equalization\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eminimal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLMF (Low Mid Frequency)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erange from sub-bass frequencies up to 1.4 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Hz and 75 kHz, deviation of less than -2 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLMF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewide or narrow bell-curve options\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHeadroom\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+27 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eINPUT ATTN\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eattenuation of the input signal by up to -12.5 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + Noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 0.005 percent\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estepped (including INPUT ATTN)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Maag","offers":[{"title":"Default Title","offer_id":54361527615763,"sku":"191420","price":799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cbdf97e8f8f33ac1925c97c02740a55920e2efd6_MAAGAUDIO_EQ2500.jpg?v=1793375676","url":"https:\/\/woodbrass.shop\/products\/maag-eq2-191420","provider":"Woodbrass.com","version":"1.0","type":"link"}