{"product_id":"old-blood-noise-endeavors-bl-82-chorus-377107","title":"BL-82 Chorus","description":"\u003ch3\u003eA \"BL Series\" that breaks chorus conventions\u003c\/h3\u003e\u003cp\u003eThe BL-82 is part of Old Blood Noise Endeavors' BL series, a family of pedals designed to explore time, modulation, and \"limit\" behaviors between classic effects. Here, OBNE takes chorus as a starting point... then expands the playground: by moving the clock, you traverse zones evoking chorus, flanger, and modulated delay, with an aesthetic that can remain lush or become rougher and grainier. \u003c\/p\u003e\u003cp\u003eIts approach is based on two delay lines modulated by LFOs synchronized in opposition, combined in parallel. The result: a wide, lively modulation with a \"suggested\" stereo movement even in mono input\/output, and a very musical sense of depth. \u003c\/p\u003e\u003ch3\u003eWho is it for? From elegant chorus to experimental textures\u003c\/h3\u003e\u003cp\u003eThe BL-82 is aimed both at guitarists (and bassists) seeking an expressive and modern chorus and at enthusiasts of more adventurous textures. In a conservative setting, it delivers warm modulation, ideal for funk, pop, alternative rock, indie, and post-rock. Pushing the \"Clock\" and Feedback turns it into a true ambiance generator: unstable pads, modulated trails, near-flanger effects, and lo-fi sounds perfect for ambient and experimental music.\u003c\/p\u003e\u003cp\u003eIn the studio, it shines on overdubs to thicken rhythm parts, \"widen\" arpeggios, or add life to leads. Live, its direct interface (notably the slider) is designed to be played: you can transform a passage in real time without getting lost in submenus.\u003c\/p\u003e\u003ch3\u003eControls and features: minimal ergonomics, maximum playability\u003c\/h3\u003e\u003cp\u003eThe heart of the BL-82 is the tactile \u003cstrong\u003e\"Clock\"\u003c\/strong\u003e slider. At one end, you get fast, more faithful modulation, typical of shimmering chorus. As you lower the clock, the system stretches: the sound slows down, becomes more unstable, with intentional degradation that can add character and grain. \u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eFeedback\u003c\/strong\u003e knob both intensifies the chorus effect and increases the number of repeats when the pedal shifts toward modulated delay behavior. The \u003cstrong\u003eMix\u003c\/strong\u003e controls the wet\/dry blend (from very subtle to very prominent), and the \u003cstrong\u003eVolume\u003c\/strong\u003e aligns the output level with your clean signal (or slightly pushes the amp\/next stage). The \u003cstrong\u003esoft-touch\u003c\/strong\u003e footswitch offers comfortable and silent engagement, with true bypass as advertised. \u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe BL-82 is not content with a \"clean\" chorus: it can be \u003cstrong\u003elush\u003c\/strong\u003e and wide, but also \u003cstrong\u003edarker and rougher\u003c\/strong\u003e depending on the clock position. The modulation movements have real personality: the high end can shimmer, the mids gain a very flattering thickness, and extreme settings open the door to degraded, almost unstable textures that make the effect feel like it \"breathes\" with your playing. \u003c\/p\u003e\u003cp\u003eIt responds particularly well to right-hand dynamics: in picking, modulations remain clear and detailed\u0026#59; in open chords, the effect creates immersive depth\u0026#59; with saturated tones, the chorus can become more edgy and organic, with a sense of movement that helps the sound cut through the mix without excess.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] 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