{"product_id":"old-blood-noise-endeavors-procession-311664","title":"Procession","description":"\u003ch3\u003eA modern reverb designed for the \"in-between\": ambient, experimental, and cinematic textures\u003c\/h3\u003e\u003cp\u003eThe Procession is part of Old Blood Noise Endeavors' DNA: inspiring effects designed to break new ground without sacrificing ergonomics. Here, the idea is not to offer an ultra-neutral \"studio\" reverb, but a creative reverb capable of shifting from a subtle space to a strange, filtered, moving, almost narrative atmosphere.\u003c\/p\u003e\u003cp\u003eIts concept is simple and powerful: a reverb with a marked character, \"put into motion\" by three modulation approaches. The result: textures that evoke both science-fiction sound design and shoegaze layers, cinematic intros, or suspended endings of tracks.\u003c\/p\u003e\u003ch3\u003eWho is the Procession for? From indie pedalboards to ambient soundtracks\u003c\/h3\u003e\u003cp\u003eThe Procession is tailored for guitarists (and bassists, synths with low line output, etc.) who want a reverb capable of \u003cstrong\u003etelling a story\u003c\/strong\u003e. It suits ambient, post-rock, shoegaze, indie, atmospheric doom\/stoner genres, as well as all \"minimalist\" approaches where notes are allowed to breathe.\u003c\/p\u003e\u003cp\u003eIn the studio, it serves both to thicken a take with a dark, modulated reverb and to generate layers: a chord held via Hold, then a melody played on top, with an almost \"pad\"-like result. Live, its pedal format and immediate controls make it an excellent performance reverb, especially if you enjoy manipulating textures between sections of a song.\u003c\/p\u003e\u003ch3\u003eSimple controls, strong ideas: modulation, Hold, and expression pedal\u003c\/h3\u003e\u003cp\u003eThe interface is straightforward: \u003cstrong\u003eMix\u003c\/strong\u003e adjusts the dry\/wet balance, while \u003cstrong\u003eReverb\u003c\/strong\u003e controls the duration and presence of the reverb (from short ambiance to much more massive trails). Then, \u003cstrong\u003eSpeed\u003c\/strong\u003e and \u003cstrong\u003eDepth\u003c\/strong\u003e control the modulation, with behavior depending on the selected mode: Flange for a more \"phasey\" and dramatic movement, Filter for timbre variations that can turn the reverb tail into living material, and Tremolo for rhythmic pulsation in space.\u003c\/p\u003e\u003cp\u003eThe Procession offers two footswitches: \u003cstrong\u003eBypass\u003c\/strong\u003e to activate\/deactivate the effect, and \u003cstrong\u003eHold\u003c\/strong\u003e (momentary) to freeze what is currently being fed into the reverb. This function is ideal for creating transitions, drones, or a sustained \"freeze\" pad, especially if you leave some dry signal to continue playing over it.\u003c\/p\u003e\u003cp\u003eThere is also an \u003cstrong\u003eexpression input\u003c\/strong\u003e to control a key parameter with your foot (handy for switching from a small room to a reverb abyss, or speeding up a modulation movement without letting go of the neck). An \u003cstrong\u003einternal output level potentiometer\u003c\/strong\u003e finally allows you to adjust the overall volume (boost, slight cut, or unity level), useful depending on your chain, microphones, and the pedal's place on the pedalboard.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Procession has a personality: a \u003cstrong\u003edense, dark, and modulatable\u003c\/strong\u003e reverb, designed for atmosphere as much as for the \"wow\" effect. With conservative settings, it can serve as a supporting reverb with nice depth. But its natural playground is the strange: reverb tails that undulate, filter, tremble, and give the impression that the sound moves through the air.\u003c\/p\u003e\u003cp\u003eIts dynamics respond well to playing: hitting harder loads the reverb and modulation more expressively\u0026#59; playing softly yields subtle halos, perfect for arpeggios. And if you like thicker textures, pairing it with an overdrive or fuzz upstream can turn the Procession into a machine for \"ghostly\" pads and leads. It is a pedal spotted on indie\/alternative pedalboards, with notable users such as \u003cstrong\u003eMatthew Followill\u003c\/strong\u003e, \u003cstrong\u003eTaylor York\u003c\/strong\u003e, \u003cstrong\u003eAndy Hull\u003c\/strong\u003e, and \u003cstrong\u003eJesse Lacey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec 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