{"product_id":"orludiato-garcia-vincent-nouvelle-methode-d-accordeon-diatonique-vol-2-305726","title":"Garcia Vincent - Nouvelle Methode D'accordeon Diatonique Vol.2","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eOriginally written during the summer of 2015 and then extensively refined, this instrumental learning method for diatonic accordion follows a structured progression centered around a G\/C instrument, 2 rows and 8 basses. This \u003cstrong\u003esecond volume\u003c\/strong\u003e is clearly aimed at players who are already comfortable and wish to consolidate their skills and take a step forward in mastering style, rhythm, and accompaniment.\u003c\/p\u003e\u003cp\u003eThe content emphasizes highly sought-after skills among advanced accordionists: knowing how to \u003cstrong\u003earrange\u003c\/strong\u003e a piece so that it sounds full in solo, but also understanding how to adapt it for \u003cstrong\u003egroup\u003c\/strong\u003e playing (role distribution, balance between melody and harmonic support, choice of articulations). This approach encourages more conscious playing, capable of adapting to different musical contexts.\u003c\/p\u003e\u003cp\u003eOn the rhythmic level, the method addresses \u003cstrong\u003ecompound meters\u003c\/strong\u003e and the work on \u003cstrong\u003esixteenth notes\u003c\/strong\u003e, aiming to improve precision, regularity, and the sense of pulse. The chapters dedicated to \u003cstrong\u003eornamentations\u003c\/strong\u003e invite enriching the melodic line with an idiomatic vocabulary of the diatonic, while maintaining clean and controlled execution.\u003c\/p\u003e\u003cp\u003eFinally, the book deepens the relationship between the two hands: introduction and use of \u003cstrong\u003eright-hand chords\u003c\/strong\u003e, as well as several \u003cstrong\u003eleft-hand playing modes\u003c\/strong\u003e to vary accompaniment, dynamics, and harmonic color. An excellent resource to refine interpretation, gain fluidity, and develop more expressive playing without losing the clarity essential to the diatonic accordion.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDiatonic accordion G\/C (2 rows, 8 basses)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eN.M.A.D. (volume 2)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAdvanced\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLearning method \/ instrumental pedagogy\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Orludiato","offers":[{"title":"Default Title","offer_id":54359329702163,"sku":"305726","price":25.32,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fef2ffec0c8d57cbce24bccebaa264b6401d3c4c_9782955212912.jpg?v=1789448610","url":"https:\/\/woodbrass.shop\/products\/orludiato-garcia-vincent-new-method-for-diatonic-accordion-vol-2-305726","provider":"Woodbrass.com","version":"1.0","type":"link"}