{"product_id":"psp-audioware-608-multi-delay-398491","title":"608 Multi-delay","description":"\u003ch3\u003eWhat PSP 608 Multi-Delay Is For\u003c\/h3\u003e\u003cp\u003ePSP 608 Multi-Delay is a creative delay plug-in designed to sculpt space, movement, and depth within a mix. It is suitable for both \"utility\" tasks (widening a vocal, thickening a guitar, creating a clean slapback, syncing repeats to tempo) and sound design uses (rhythmic textures, modulated delays, lo-fi ambiances, filtered feedbacks, tape effects, and reverberated tails). Thanks to its multi-tap structure and modulation and saturation options, it naturally fits into electronic production, pop, rock, ambient, post-production, and any situation where you want to transform a signal into a living, expressive material.\u003c\/p\u003e\u003ch3\u003eMain Features\u003c\/h3\u003e\u003ch4\u003eUp to 8 taps, each as a true effect module\u003c\/h4\u003e\u003cp\u003eThe core of PSP 608 Multi-Delay is based on eight configurable delay lines, with durations up to 8 seconds per channel. Each tap can be adjusted independently, allowing the construction of complex patterns, asymmetrical \"ping-pong\" echoes, subtle stereo doubling, or very dense repetition cascades. Delay time is continuously controllable in milliseconds and can also be quantized to rhythmic values, handy for staying perfectly locked to the project tempo.\u003c\/p\u003e\u003ch4\u003eThree modes for three feedback philosophies\u003c\/h4\u003e\u003cp\u003eThe plug-in offers three operating modes that change how feedback circulates. In \u003cstrong\u003eMultidelay\u003c\/strong\u003e mode, each tap has its own feedback buffer, ideal for independent echo networks. The \u003cstrong\u003eMultitap\u003c\/strong\u003e mode centralizes feedback via a Master Feedback applied to a selectable tap, useful for maintaining overall coherence while benefiting from multiple taps. Finally, the \u003cstrong\u003eMultiFB\u003c\/strong\u003e mode allows specific feedback behaviors when a tap is muted, enabling exploration of more experimental sonic trajectories.\u003c\/p\u003e\u003ch4\u003eAdvanced filtering: shaping timbre, controlling clutter\u003c\/h4\u003e\u003cp\u003eTo prevent a delay from masking the dry signal, PSP 608 Multi-Delay provides an arsenal of filters. Each tap can use multiple types of quadruple biquad filters, including Low Pass, Band Pass, High Pass, a Peak filter, and several Shelf filters. A filtering module in the feedback loop adds even finer control, with topology choices (State Variable Filter or Biquad) and adjustable cutoff frequency and resonance-perfect for gradually \"darkening\" repeats, emphasizing a frequency band, or creating sweeping effects.\u003c\/p\u003e\u003ch4\u003eMusical modulation: LFO and envelope follower\u003c\/h4\u003e\u003cp\u003eThe modulation section combines an \u003cstrong\u003eLFO\u003c\/strong\u003e and an \u003cstrong\u003eenvelope follower\u003c\/strong\u003e to inject movement. Modulation depth can reach the equivalent of 3 octaves, opening the door to very subtle variations as well as radical transformations. Modulation can also target the filter cutoff frequency, allowing synchronization of timbre evolution to a cycle (LFO) or to the dynamics of the performance (envelope follower), particularly effective on drums, synths, or rhythm guitars.\u003c\/p\u003e\u003ch4\u003eTape-style saturation and built-in vintage reverb\u003c\/h4\u003e\u003cp\u003eTo add character and avoid a too clinical sound, PSP 608 Multi-Delay includes tape saturation with adjustable gain, derived from an algorithm inspired by the brand's mastering processors. Adding drive can thicken the signal, round transients, and enhance the presence of repeats. A vintage reverb completes the package with faithful simulations of spring and plate reverbs, ideal for placing echoes in a more organic space without multiplying plug-ins.\u003c\/p\u003e\u003ch4\u003eFlexible chain and full automation\u003c\/h4\u003e\u003cp\u003eA strong point of the plug-in is routing flexibility: feedback and drive can be positioned at the beginning or the end of the chain, profoundly changing how repeats build up (cleaner, controlled feedback or feedback that saturates and colors over iterations). Finally, all parameters are automatable via the host and MIDI, allowing you to craft transitions, feedback build-ups, stereo variations, or filter morphings directly in the arrangement.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFull software\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDownloadable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOS X 10.8 to 10.12 or newer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIndependent settings per tap\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egain, width and stereo balance, delay time, filtering, modulation, saturation simulation, reverb\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWindows 7, 8, or 10\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eChoice of quadruple biquad filters per tap\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLow Pass, Band Pass, High Pass, Peak, and four Shelf filters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAudio quality\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupports sample rates up to 192 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eModulation section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLFO and envelope follower, adjustable depth up to 3 octaves, modulation possible on filter cutoff\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProcessing depth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 24-bit \/ 192 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFiltering in the feedback loop\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLP, BP, HP (State Variable Filter or Biquad) with adjustable cutoff frequency and resonance\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThree modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMultidelay (independent feedback per tap), Multitap (Master Feedback on a selectable tap), MultiFB (specific feedback behavior when muting a tap)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVintage reverb module\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003espring and plate reverb simulations\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"PSP Audioware","offers":[{"title":"Default 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