{"product_id":"ricordi-porpora-n-25-vocalizzi-ad-una-voce-e-a-2-voci-chant-96866","title":"Porpora N. - 25 Vocalizzi Ad Una Voce E A 2 Voci - Chant","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eThis method falls within the category of \u003cstrong\u003e\"metodi e studi per canto\"\u003c\/strong\u003e and offers a practice-centered approach: singing to build the voice. The \u003cstrong\u003esolo voice\u003c\/strong\u003e studies allow work on vocal emission, pitch accuracy, and phrase shaping with a stable accompaniment, facilitating setup and support. They are particularly suited to establishing good habits (breathing, support, clean attacks) and developing a homogeneous vocal line across the entire tessitura.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003etwo-voice (fugato)\u003c\/strong\u003e pieces add an essential dimension to singer training: independence and listening. By layering two lines, the collection encourages more attentive reading, a sense of pulse, and precision of entries, while refining consonant placement and clarity of the sung text. The \"fugato\" format is also very interesting for working on \u003cstrong\u003ecoordination\u003c\/strong\u003e and \u003cstrong\u003eblend of timbres\u003c\/strong\u003e, whether in student duets or with the teacher.\u003c\/p\u003e\u003cp\u003eThe accompaniment, arranged for \u003cstrong\u003eharpsichord\u003c\/strong\u003e or \u003cstrong\u003epianoforte\u003c\/strong\u003e, offers great flexibility of use: one can aim for a more \"historical\" color with the harpsichord or a broader support on the piano. This collection thus becomes a versatile tool for \u003cstrong\u003evocal technique\u003c\/strong\u003e and \u003cstrong\u003emusicality\u003c\/strong\u003e, both in study and in preparation for small ensemble performances.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoice (1 and 2 voices) with harpsichord (clavecin) or pianoforte (piano) accompaniment\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esinging method and studies\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ricordi","offers":[{"title":"Default Title","offer_id":54359741726995,"sku":"96866","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/88ce4ac0c5b908b2022c1cb33cf5a36db62879f7_ER00253500_5fa41d54-bbb7-43ab-8eb9-76a31a23bd4f.jpg?v=1789474383","url":"https:\/\/woodbrass.shop\/products\/ricordi-porpora-n-25-vocalises-for-one-voice-and-2-voices-singing-96866","provider":"Woodbrass.com","version":"1.0","type":"link"}