{"product_id":"ricordi-rossini-g-la-cenerentola-ossia-la-bonta-in-trionfo-chant-et-piano-95013","title":"ROSSINI G. - LA CENERENTOLA OSSIA LA BONTA IN TRIONFO - CHANT ET PIANO","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e \u003cp\u003eThis edition offers a \u003cstrong\u003ereduction for canto (or recited voice) and pianoforte\u003c\/strong\u003e, designed to meet the practical needs of singers, accompanist pianists, and teachers. The \"voice and piano\" format allows effective work on the vocal line, intonation, diction, as well as musical balance with the harmonic support of the piano, whether in lessons, coaching, or rehearsals.\u003c\/p\u003e \u003cp\u003eYou will find a \u003cstrong\u003ecritical edition\u003c\/strong\u003e prepared by \u003cstrong\u003eA. Zedda\u003c\/strong\u003e, ensuring a rigorous approach to the musical text. The volume includes an \u003cstrong\u003eintroduction in Italian and English\u003c\/strong\u003e, useful for contextualizing the edition and facilitating understanding of the content by a broad audience. The \u003cstrong\u003esung text\u003c\/strong\u003e is also presented in \u003cstrong\u003eItalian and English\u003c\/strong\u003e, an asset for preparing interpretation, working on pronunciation, and comparing translation choices according to needs (study, performance, pedagogy).\u003c\/p\u003e \u003cp\u003eThe score is published \u003cstrong\u003ein two volumes\u003c\/strong\u003e, which improves reading and handling comfort, especially during extended sessions at the music stand. The binding is indicated as \u003cstrong\u003esoftcover\u003c\/strong\u003e, a format generally appreciated for its flexibility and ease of laying flat during playing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOpera\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCritical edition by A. 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