{"product_id":"ricordi-scarlatti-domenico-sonate-per-clavicembalo-vol-10-348578","title":"Scarlatti Domenico - Sonate Per Clavicembalo - Vol. 10","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis volume represents an essential step for anyone wishing to approach Domenico Scarlatti's sonatas with a high level of musicological rigor. It focuses on the \u003cstrong\u003ethirty Essercizi\u003c\/strong\u003e published in London in 1738-1739, emblematic pages whose style, purpose, and place in the history of keyboard music have long fueled debate. Here, the edition is based on a \u003cstrong\u003emethodical collation\u003c\/strong\u003e of 18th-century printed and manuscript sources, in order to offer a coherent, well-argued musical text as close as possible to the preserved witnesses.\u003c\/p\u003e\u003cp\u003eIn some cases, the work proposes \u003cstrong\u003ean alternative version\u003c\/strong\u003e of the same sonata, resulting from the critical examination of sources and sometimes revealing a complex network of variants attributable to the composer. The \u003cstrong\u003eCritical Notes\u003c\/strong\u003e report divergences, competing readings, and editorial choices, allowing both harpsichordists and researchers to quickly assess the origin of textual differences and their musical significance (ornamentation, articulation, figuration, or writing details).\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eIntroduction\u003c\/strong\u003e, particularly rich, places these sonatas in their context: genesis, historical issues, circulation of editions, and reception. It notably addresses the relationship between the Essercizi and the rival London edition associated with Roseingrave, the role and chronology of contemporary French editions known as \"Boivin,\" as well as the first interventions by anonymous performers. A reference tool for working on the Baroque keyboard repertoire with an informed, critical, and fully musical reading.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDomenico Scarlatti\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSonate per clavicembalo (Volume 10)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEditor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEmilia Fadini (critical edition)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score (Baroque keyboard music)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eharpsichord\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ricordi","offers":[{"title":"Default Title","offer_id":54361335988499,"sku":"348578","price":47.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/892a3011a77bfb565e663ca362a17ec186d66058_ER00275800.jpg?v=1789408334","url":"https:\/\/woodbrass.shop\/products\/ricordi-scarlatti-domenico-sonate-per-clavicembalo-vol-10-348578","provider":"Woodbrass.com","version":"1.0","type":"link"}