{"product_id":"triton-audio-fethead-filter-355449","title":"Fethead Filter","description":"\u003ch3\u003eA FetHead variant designed for cleaner low-end recordings\u003c\/h3\u003e\u003cp\u003eThe Triton FetHead Filter follows the concept of a compact inline microphone preamplifier, adding a very recording-oriented approach: a high-pass filter calibrated to reduce excessive low frequencies often caused by the proximity effect, especially with certain long microphones or ribbon mics. The idea is not to change the character of a microphone but to help achieve a clearer low-end, easier to place in a mix, while retaining useful low-noise gain for quieter sources.\u003c\/p\u003e\u003ch3\u003eWho the FetHead Filter is for and when to use it\u003c\/h3\u003e\u003cp\u003eThis FetHead Filter is aimed at home studio users, sound engineers, content creators, podcasters, and musicians who want to \u003cstrong\u003eincrease level without excessively raising the gain\u003c\/strong\u003e on their audio interface, console, or preamp. It is particularly relevant if you work with \u003cstrong\u003edemanding dynamic microphones\u003c\/strong\u003e (vocals, guitar, snare, amps) or \u003cstrong\u003eribbon microphones\u003c\/strong\u003e whose output level is often lower.\u003c\/p\u003e\u003cp\u003eThe high-pass filter becomes an ally whenever the proximity effect is too pronounced: vocals overloaded in the low end, instruments recorded very close to the mic, rumble or unnecessary low-frequency energy that muddies intelligibility. Whereas post-production EQ can correct this, the FetHead Filter allows you to \u003cstrong\u003eclean up the sound at recording\u003c\/strong\u003e, resulting in more consistent takes that are easier to process.\u003c\/p\u003e\u003ch3\u003eBuilt-in filter, low-noise gain, and XLR integration: the \"plug and record\" approach\u003c\/h3\u003e\u003ch4\u003eA 220 Hz high-pass filter to tame the proximity effect\u003c\/h4\u003e\u003cp\u003eThe proximity effect boosts low frequencies when the microphone is close to the source: this can give a very deep voice but also generate overwhelming bass that is hard to control or a muffled sensation. The FetHead Filter integrates a \u003cstrong\u003e220 Hz high-pass filter\u003c\/strong\u003e (6 dB per octave slope) to limit excessive bass buildup and promote a clearer, more defined sound without relying on downstream EQ.\u003c\/p\u003e\u003ch4\u003eA 27 dB boost to ease the load on your main preamp\u003c\/h4\u003e\u003cp\u003eWith \u003cstrong\u003e27 dB of gain\u003c\/strong\u003e (3 kOhm load), the FetHead Filter raises the level upstream in your chain, which can allow you to reduce the gain applied by your audio interface or console. The result: a more comfortable level, often with better perception of background noise depending on your setup, and dynamics that are easier to manage on vocals, acoustic instruments, or low-volume sources.\u003c\/p\u003e\u003ch4\u003eOptimized for dynamics and ribbons, with built-in phantom power protection\u003c\/h4\u003e\u003cp\u003eThe FetHead Filter operates using \u003cstrong\u003e24 to 48 V phantom power\u003c\/strong\u003e supplied by the preamp but is designed to \u003cstrong\u003eblock phantom power from reaching the microphone\u003c\/strong\u003e. This is essential if you use \u003cstrong\u003eribbon microphones\u003c\/strong\u003e or want to protect your chain: you benefit from the FetHead's active electronics without exposing the mic to phantom voltage.\u003c\/p\u003e\u003ch4\u003eSimple installation: directly on the mic or in the signal path\u003c\/h4\u003e\u003cp\u003eThe metal chassis houses the electronics and offers a \u003cstrong\u003ebalanced female XLR input\u003c\/strong\u003e and a \u003cstrong\u003ebalanced male XLR output\u003c\/strong\u003e. It can be mounted directly on an XLR-equipped microphone or placed further along the line, between the mic and preamp. This flexibility is convenient in both studio and live settings when you want to improve level and control the low end without changing your usual routing.\u003c\/p\u003e\u003ch4\u003eA more responsive response, better clarity on many microphones\u003c\/h4\u003e\u003cp\u003eIn practice, this type of inline preamp can make a microphone easier to work with: a sensation of increased responsiveness, a more usable frequency range, and better transient handling depending on the mic and preamp pairing. On well-known dynamics and ribbons, the improvement can be especially noticeable, particularly when recording soft sources or when your preamp lacks sufficient clean gain.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e27 dB (3 kOhm load)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 dB per octave\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComponents\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 matched JFETs\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMax at 220 Hz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":54360079139091,"sku":"355449","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ab138281bc6dfd8f177b636b5a64e3fae6dbc166_TRITON_FETHEAD_FILTER.jpg?v=1792605799","url":"https:\/\/woodbrass.shop\/products\/triton-audio-fethead-filter-355449","provider":"Woodbrass.com","version":"1.0","type":"link"}