{"product_id":"universal-audio-uad-teletronix-la-2a-leveler-collection-398841","title":"UAD Teletronix LA-2A Leveler Collection","description":"\u003ch3\u003eWhat UAD Teletronix LA-2A Leveler Collection Is Used For\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eUAD Teletronix LA-2A Leveler Collection is an \u003cstrong\u003eoptical compression\u003c\/strong\u003e plug-in designed to provide \u003cstrong\u003emusical leveling\u003c\/strong\u003e and immediate stability to your tracks. It excels whenever dynamic control is needed without crushing the performance, thanks to smooth and progressive gain reduction typical of optical circuits.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIn production, it is often used as the main compressor on \u003cstrong\u003evocals\u003c\/strong\u003e (to smooth out level variations), on \u003cstrong\u003ebass\u003c\/strong\u003e (to solidify foundation and sustain), and on \u003cstrong\u003eguitars\u003c\/strong\u003e (to thicken without aggressiveness). Depending on the chosen model, it can also suit sources richer in transients like \u003cstrong\u003edrums\u003c\/strong\u003e and percussion when faster compression is desired while maintaining a natural sound.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eMain Features\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eThree legendary incarnations, three dynamic responses\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe collection offers \u003cstrong\u003ethree sought-after versions\u003c\/strong\u003e of the Teletronix processor, each with its own characteristics. As with the hardware, these variations affect attack and release times, \"knee\" feel, headroom margin, distortion, as well as program and frequency dependence. The result: you choose not only a compressor but also a \u003cstrong\u003esignature\u003c\/strong\u003e and a \u003cstrong\u003eresponse\u003c\/strong\u003e suited to your playing and style.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eLA-2A Silver and LA-2A Gray: two classics for sculpting the mix\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eLA-2A Silver\u003c\/strong\u003e (inspired by a late 1960s version with brushed aluminum panel and T4B gain reduction module) is presented as the most flexible of the three. Its faster time constants make it relevant for a wide range of content, including punchier sources rich in transients.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eLA-2A Gray\u003c\/strong\u003e (mid-1960s version) maintains a more \"medium\" time constant, practical for compression that is both obvious and smooth, with a natural balance between control and musicality. It is an excellent choice when you want stable leveling without overly speeding up attack response.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eLA-2: the rare and \"mellow\" character for legato tempos\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eLA-2\u003c\/strong\u003e is described as a very rare early 1960s unit, predating the LA-2A. It is the slowest version in the collection, designed for more flowing behavior. Its appeal also lies in a \"mellowed\" sound attributed to the aging of the luminescent panel inside the T4 module. On vocals and legato phrases, it can provide particularly refined transparency and ambiance.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eStudio workflow: from tracking to mixing, with engineer presets\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThis collection is designed to integrate easily into a modern workflow, both in \u003cstrong\u003etracking\u003c\/strong\u003e and \u003cstrong\u003emixing\u003c\/strong\u003e. You can record through a Teletronix LA-2A or LA-2 \u003cstrong\u003ein real time with Apollo interfaces\u003c\/strong\u003e, delivering dynamic control inspired by professional studios right from the source.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eTo speed up your process, you have access to \u003cstrong\u003epresets\u003c\/strong\u003e from LA-2A users including \u003cstrong\u003eRoss Hogarth\u003c\/strong\u003e, \u003cstrong\u003eDarrell Thorp\u003c\/strong\u003e, and \u003cstrong\u003eVance Powell\u003c\/strong\u003e, allowing you to quickly achieve optical textures suited to vocals, bass, drums, and other sources.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFull software\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDownloadable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSystem\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emacOS Catalina 10.15, Big Sur 11, Monterey 12, Ventura 13, Sonoma 14\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eModeling of three historic versions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLA-2A Silver, LA-2A Gray, LA-2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProcessor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eIntel, AMD, or Apple silicon\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBehavioral variations by model\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etime constants, knee, headroom, distortion, program and frequency dependence\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVST-2, VST-3, AU, AAX\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUser presets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRoss Hogarth, Darrell Thorp, Vance Powell\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVST-2, VST-3, AAX\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":54358419177747,"sku":"398841","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/20385971144e6d385b02159932796be125670093_UA_11783249.jpg?v=1792753545","url":"https:\/\/woodbrass.shop\/products\/universal-audio-uad-teletronix-la-2a-leveler-collection-398841","provider":"Woodbrass.com","version":"1.0","type":"link"}