{"product_id":"van-de-velde-dworsky-a-sansby-b-slap-happy-63683","title":"Dworsky A. \u0026 Sansby B. - Slap Happy !","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e  \u003cp\u003eSlap Happy! offers a playful and very concrete approach to familiarize yourself with African and Afro-Caribbean rhythms, without instruments. The principle is simple: the body becomes your percussion. By tapping feet, clapping hands, and combining different strikes, you quickly develop listening skills, coordination, and a sense of pulse.\u003c\/p\u003e   \u003cp\u003eThis method is designed as a true idea box of \u003cstrong\u003erhythmic games\u003c\/strong\u003e: proposals to perform solo to work on regularity, in pairs to learn rhythmic dialogue, or in groups to create a collective dynamic. It is a resource particularly suited to contexts where making music easily is desired (classroom, workshop, animation, family practice), while maintaining musical rigor: placement, tempo stability, precision of attacks, and quality of unison.\u003c\/p\u003e   \u003cp\u003eThe content is based on rhythms and grooves from strong traditions, with an openness to several cultural areas. You will thus discover the \u003cstrong\u003eKuku from Guinea\u003c\/strong\u003e, the \u003cstrong\u003eSunguru Bani from Mali\u003c\/strong\u003e, the \u003cstrong\u003eBomba from Puerto Rico\u003c\/strong\u003e, and the \u003cstrong\u003eConga from Cuba\u003c\/strong\u003e, and draw inspiration from them to build sequences, responses, overlays, and call-and-response games. An ideal way to approach polyrhythm and the sensation of cycles, while remaining accessible to all levels.\u003c\/p\u003e   \u003cp\u003eIn practice, Slap Happy! helps establish essential foundations: tempo grounding, independence of gestures, rhythmic memory, group listening, and confidence in movement. A lively method, perfect for learning while moving, feeling the groove, and making the music \"sound right away.\"\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusic theory\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBody percussion (hand claps, foot taps)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRhythmic method, introduction to African and Afro-Caribbean rhythms\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Van De Velde","offers":[{"title":"Default Title","offer_id":54360698454291,"sku":"63683","price":13.44,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e0784202c11c0998df8016151b5f282153b7356d_VV370.jpg?v=1789483010","url":"https:\/\/woodbrass.shop\/products\/van-de-velde-dworsky-a-sansby-b-slap-happy-63683","provider":"Woodbrass.com","version":"1.0","type":"link"}