{"product_id":"walhall-ulrich-j-sechs-sonaten-vol-1-i-iii-flb-et-clavecin-186964","title":"Ulrich J. - Sechs Sonaten Vol. 1 (I-Iii) - Flb Et Clavecin","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis collection brings together \u003cstrong\u003eSix Sonatas for recorder (transverse flute) \u0026amp; harpsichord\u003c\/strong\u003e, edited by Paul Wåhlberg in the form of a \u003cstrong\u003efacsimile\u003c\/strong\u003e accompanied by a \u003cstrong\u003enew edition\u003c\/strong\u003e. These sonatas, composed for recorder and published in \u003cstrong\u003e1716\u003c\/strong\u003e in \u003cstrong\u003eKöthen\u003c\/strong\u003e, showcase an expressive Baroque style that is particularly rewarding to perform: singing melodic lines, natural articulations, and writing designed for the duo with harpsichord (basso continuo).\u003c\/p\u003e\u003cp\u003eA major point of interest concerns the \u003cstrong\u003eSixth Sonata in G major\u003c\/strong\u003e, which may have been intended for the \u003cstrong\u003etransverse flute\u003c\/strong\u003e, then rising in popularity. It stands out clearly from the other five sonatas by several compositional features, opening interpretative possibilities for both recorder and traverso (depending on the instrument available and the desired color).\u003c\/p\u003e\u003cp\u003eThe recent rediscovery of the complete source in Moscow makes this edition a true \u003cstrong\u003echoice piece for flutists\u003c\/strong\u003e (recorder and Baroque transverse flute) and harpsichordists seeking rarely performed repertoire. Also noteworthy is the existence of a \u003cstrong\u003erecording CD\u003c\/strong\u003e by Paul Wåhlberg (Euridice EUCD 63), useful for familiarizing oneself with the style, tempi, and ensemble balance.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEditor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePaul Wåhlberg\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBaroque score (sonatas)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erecorder (or transverse flute) and harpsichord\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Walhall","offers":[{"title":"Default Title","offer_id":54360914329875,"sku":"186964","price":8.91,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/03bc729a0e2ee22607cd9c90afe07342b3126fc6_PARTOCHEEEE_b705364b-e757-4cc6-bd85-6e42e555604a.jpg?v=1789483072","url":"https:\/\/woodbrass.shop\/products\/walhall-ulrich-j-sechs-sonaten-vol-1-i-iii-flb-et-clavecin-186964","provider":"Woodbrass.com","version":"1.0","type":"link"}