Behringer Ultrabass BXD3000H
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Manufacturer Information
Behringer
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Historical Context and Positioning in the Range
The BXD3000H fits within Behringer's ULTRABASS spirit: offering a versatile, lightweight, and easy-to-use bass amp head while providing very musical tools to sculpt the low end. With its Class D amplification and rack-mountable format, it clearly targets bassists who want to travel light without giving up essentials (DI, graphic EQ, compressor, effects loop) and keep a reliable solution for rehearsals, small to medium venues, or recording.
Who This Amp Is For
This head is ideal if you play bass at a beginner to advanced level and are looking for an amp capable of covering many situations without hassle. In rehearsal, it offers enough power to hold its own against a drum kit while remaining easy to transport. On stage, the integrated DI allows you to send a clean signal to the mixing console, while your cabinet serves as a personal monitor. In the studio or at home, the headphone output and auxiliary input are convenient for working on precision and timing.
Regarding styles, the BXD3000H is comfortable in rock, pop, funk, blues, metal, and contemporary music: the Clean channel favors attack and definition, while the Distortion channel adds grit to stand out in a denser mix.
Features and Innovations
The Behringer ULTRABASS BXD3000H offers two distinct channels. The Clean channel has a dedicated gain control to adjust input level according to your bass (passive or active pickups). The Distortion channel adds a specific gain, a Shape control (to quickly shape the tonal curve), and a dedicated volume control, useful for balancing levels between the two channels.
For fine shaping, you have an active 7-band graphic EQ and the FBQ system (frequency detector/indicator) which helps quickly identify the area to correct, useful for taming room resonance, a "boomy" cabinet, or harsh mids. The built-in compressor smooths dynamic differences and adds punch. The ULTRABASS processor (subharmonics) adds depth in the low end, particularly effective in trios, dub, heavy rock, or when you want to give the impression of a larger cabinet.
The connectivity is designed for modern use: balanced XLR DI and line output for PA or recording, effects insert (Send/Return) to integrate a multi-effects unit, preamp, or pedal chain, stereo CD input for playing along with backing tracks, and headphone output for silent practice. The included footswitch allows channel selection and ULTRABASS activation by foot, ideal for switching from a clean verse to a more saturated chorus.
Sound
The BXD3000H is a transistor head with Class D amplification: it delivers a rather fast response, a clear attack, and firm lows, with excellent control, especially when you want to stay clear in the low end. The clean channel suits modern sounds well (definition, presence, slap, articulate fingerstyle), with enough headroom to maintain clarity if your cabinet keeps up. The Distortion channel adds a usable grit to thicken a riff, support a heavily loaded guitar, or simply add texture on higher parts.
The graphic EQ + Shape combo is one of the strengths for adapting the amp to your bass and cabinet: you can scoop the low-mids for a more "hi-fi" sound, boost mids to cut through the mix, or tighten the lows depending on the room. The ULTRABASS should be used judiciously: well set, it provides a very satisfying sense of depth and mass, but it can quickly overload the low end if the room resonates. Few artist signatures are publicly associated with this model, but its sonic philosophy appeals to all bassists who want a lightweight, powerful, and versatile head with concrete tools to tame the low frequencies.
Technical specifications
| Effects | EQ, Compressor, Preamp, Looper, Bass Preamp / DI Box | Number of channels | 2 |
| Category | Bass amp head | EQ | 7-band |
| Technology | Solid state | Headphone output | Jack 6.35, Yes |
| Effects loop | Yes | Color | Black |
| Cabinet impedance (Ω) | 4 Ω | Finishing | Aluminum |
| Category | Amplifier | Power output | 300 W |
| Type | transistor bass amp head | Line output | 6.35mm TS unbalanced jack |
| Amplification technology | Class D | Effects insert | Send / Return (effects loop) |
| Power | 300 W at 4 ohms | Speaker output | 6.35mm jack (minimum load 4 ohms) |
| Minimum speaker load impedance | 4 ohms | Format | ultra-compact head, rack-mountable |
| Clean channel | dedicated Gain control | "Planet Earth" power supply | 100 to 240 V (flexibility and reduced consumption) |
| Distortion channel | dedicated Gain, Shape, and Level/Volume controls | Construction | careful and robust |
| FBQ system | frequency detection/indication (anti-resonances, quick shaping) | Design | Behringer Germany |
| Instrument input | 6.35mm TS unbalanced jack | Dimensions (W x H x D) | 450 x 117 x 225 mm |
| Stereo CD / auxiliary input | RCA | Weight | 3.5 kg |
| DI output | balanced XLR | ||
Questions frequently asked
What power and speaker impedance are required for the Behringer Ultrabass BXD3000H?
This head delivers 300 W at 4 ohms and requires a minimum speaker load of 4 ohms. The speaker output uses a 6.35 mm jack.
Does the BXD3000H have a DI output for PA?
A balanced XLR DI output is integrated for sending to a mixing console or recording system. A line output on a 6.35 mm TS jack is also available.
What controls are available on the saturated channel?
The Distortion channel has dedicated Gain, Shape, and Level controls. The Shape control allows quick modification of the distortion’s tonal curve.
Can headphones and backing tracks be used with this bass head?
It is possible to connect headphones via the 6.35 mm jack output and an audio source via the stereo RCA CD/auxiliary input.
What are the dimensions and weight of the head?
Measuring 450 x 117 x 225 mm and weighing 3.5 kg, this model features an ultra-compact rackable format. Its power supply accepts 100 to 240 V. A footswitch is included to select the channel and activate ULTRABASS.



