Cornetto Ariosti Attilio - Stockholmer Sonaten 13-15 For Viola D'amore & BC
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Cornetto
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Summary of This Score
This edition gathers "Attilio Ariosti (1666-1729?) Stockholmer Sonaten 13-15 für Viola d'amore und b.c." These three sonatas are rooted in the Italian Baroque aesthetic, with writing that exploits the characteristic colors of the viola d'amore: resonances, softness of timbre, and harmonic richness. The solo part alternates between cantabile passages and more virtuosic figures, allowing work on both the melodic line, intonation in positions, and rhythmic placement.
The basso continuo (b.c.) accompaniment offers great interpretative freedom and adapts to various ensembles (harpsichord or organ, theorbo, cello/violone, etc.). It is an ideal support to develop mutual listening between soloist and continuo, refine cadence execution, and explore stylistically appropriate ornamentation. In practice, this score is suitable both for study and performance, and is intended for musicians who wish to approach or deepen the repertoire dedicated to the viola d'amore within Baroque music.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Attilio Ariosti | Genre | Baroque score / early music |
| Instrumentation | Viola d'amore and basso continuo (b.c.) | ||
Questions frequently asked
Which sonatas are included in this edition of Ariosti?
The score includes Attilio Ariosti's Stockholm Sonatas Nos. 13, 14, and 15 for viola d'amore and basso continuo.
What instrumentation is planned for Stockholm Sonatas 13-15?
The writing is intended for a solo viola d'amore with basso continuo accompaniment (b.c.).
What accompaniment can be used with this viola d'amore score?
The basso continuo can be realized on harpsichord or organ. An ensemble with theorbo and cello or violone is also possible. The continuo part allows interpretative freedom depending on the ensemble chosen.
Is this Ariosti score suitable for viola d'amore practice?
The three sonatas alternate between cantabile passages and more virtuosic runs, allowing practice of musical phrasing, intonation in positions, and rhythmic placement.
What musical style is addressed in Stockholm Sonatas 13 to 15?
These sonatas belong to Italian Baroque music and exploit the resonances as well as the soft timbre characteristic of the viola d'amore.
