Dover Ravel Le Tombeau De Couperin/valses Nobles et Sentimentales - Orchestra
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Dover
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Summary of This Score
This volume brings together two major works by Maurice Ravel, initially conceived for piano before being orchestrated by the composer himself. It includes Le Tombeau de Couperin, a suite in four movements composed between 1914 and 1917. Both refined and deeply moving, it fits within a French tradition inspired by ancient forms while carrying a strong memorial dimension: each movement is dedicated to a close friend of Ravel who fell during the First World War.
The collection also contains Valses nobles et sentimentales, a cycle of eight waltzes played without interruption. Ravel engages in a dialogue with the spirit of Franz Schubert, to whom he pays homage, evoking melodic turns and harmonic colors reminiscent of Schubert's universe while maintaining his own signature: rhythmic precision, elegance of line, and a nuanced expressive palette. This collection is aimed at musicians and music lovers wishing to explore a demanding, subtle, and emblematic repertoire at the crossroads of revisited Romanticism and early 20th-century French aesthetics.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Maurice Ravel | ||
Questions frequently asked
Which works by Ravel are included in this orchestral score?
The volume includes Le Tombeau de Couperin and Valses nobles et sentimentales, two works by Maurice Ravel orchestrated by the composer.
How many movements does Le Tombeau de Couperin have?
The suite consists of four pieces, composed between 1914 and 1917. Each is dedicated to a close friend of Ravel who died during the First World War.
Are the Valses nobles et sentimentales performed separately?
The cycle consists of eight waltzes played continuously without interruption. The writing refers to Franz Schubert through certain melodic turns and harmonic colors.
Is the Dover Ravel Le Tombeau de Couperin / Valses nobles et sentimentales suitable for the classical repertoire?
This edition belongs to the early 20th-century French classical repertoire, with orchestral writing derived from two works originally conceived for piano.
What musical aesthetic characterizes these two scores by Ravel?
The collection combines old French forms in Le Tombeau de Couperin with the Schubertian homage of the Valses nobles et sentimentales. The rhythmic precision and expressive nuance described are typical of Ravel's aesthetic.
