DPA KIT-4099-DC-10c
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DPA
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A DPA Reference for Instrument Microphones, Enhanced by CORE by DPA
Already considered a benchmark for clip-on instrument microphones, the DPA 4099 takes a step further with CORE by DPA, an internal evolution aimed at reducing distortion and improving transparency. The result: more clarity, openness, and detail-from the subtlest playing to the most pronounced attacks. Within the range, this Touring kit is intended for those who want a ready-to-go solution for live, rental, and technical setups, while maintaining the DPA signature: faithful reproduction, close to the instrument's "true voice."
Who Is It For and What Are Its On-Stage Uses?
The DPA 4099 LOUD Touring Kit is designed for musicians, sound engineers, theaters, and service providers who need an efficient system to amplify multiple instruments with a coherent sound. Its supercardioid directivity facilitates work in noisy environments (stage monitors, neighboring drums, brass, amps) while maintaining a natural timbre. The 4099 can be quickly repositioned and moved from one instrument to another (with the appropriate clip), making it particularly practical for stage changes, double bills, and quick transitions.
This Loud SPL version (red marking) is typically used in close proximity on a wide variety of instruments: strings, woodwinds, brass, guitars, piano, light percussion, etc. If you are looking for an "all-terrain" touring-oriented solution, it is an excellent choice to cover the essential needs of a band, ensemble, or orchestra.
CORE by DPA, Shock Mount, and Touring Design: What Makes the Difference
CORE by DPA: More Transparency, Less Distortion
CORE by DPA technology works at the heart of the microphone to minimize distortion and improve clarity. In practice, you get a cleaner image in transients (attacks), a more open high-frequency range, and a better sense of dynamics-particularly appreciated live when the sound capture must remain stable and intelligible within the mix.
Supercardioid: Effective Rejection and Gain Before Feedback
Thanks to its supercardioid directivity and uniform off-axis response, the 4099 helps isolate the instrument and limit unwanted noise. This design promotes a higher gain before feedback, useful when seeking a comfortable level without triggering feedback, especially with close monitors or in dense stage environments.
Optimized Mounting and Daily Reliability
The 4099 CORE features an improved shock mount to better isolate handling noise and rumble. Detachable cables are available in heavy or light versions depending on the application, and the integrated gooseneck extension facilitates quick, precise, and repeatable placement. The whole system is designed for intensive use, with a mounting system that does not damage the instrument's finish and allows for multiple positioning options.
Technical specifications
| Frequency response | 20 Hz - 20 kHz | Capsule | static electret |
| Category | instrument microphone | Color | Black |
| Directivity | supercardioid | ||
| Directional pattern | Supercardioid | Output balancing principle | Balanced signal with XLR adapter DAD4099-BC or DAD6001-BC |
| Operating principle | Pressure gradient | Common mode rejection ratio (CMRR) | Greater than 60 dB from 50 Hz to 15 kHz with XLR adapter DAD4099-BC or DAD6001-BC |
| Cartridge type | Pre-polarized condenser | Connector | MicroDot |
| Effective frequency range +/-2 dB at 20 cm (7.9 in) | 80 Hz - 15 kHz with a gentle 2 dB boost at 10-12 kHz. Second-order high-pass filter at 80 Hz with DAD4099-BC | Polarity | +V at MicroDot pin for positive acoustic pressure (and pin 2 on XLR adapter DAD4099-BC or DAD6001-BC) |
| Sensitivity, nominal, +/-3 dB at 1 kHz | 6 mV/Pa; -44 dB re. 1 V/Pa | Power supply (for optimal performance) | For wireless systems: Min. 5 V - max. 10 V via DPA adapter; with DAD6001-BC or DAD4099-BC: P48 (phantom power). Operates from 12 V |
| Equivalent noise level, A-weighted | Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A)) | Current consumption | Typ. 1.5 mA (microphone); 3.5 mA with XLR adapter DAD4099-BC or DAD6001-BC |
| Total harmonic distortion (THD) below 1% | 128 dB SPL RMS, 131 dB SPL peak | Weight - Microphone | 17 g (0.60 oz) |
| Dynamic range | Typ. 108 dB | Weight - Microphone stand clip (MS4099) | 27.5 g (0.97 oz) |
| Max SPL, 10% THD | 142 dB SPL peak | Weight - Cold shoe mount with standard 6.35 mm thread (CS4099) | 5 g (0.18 oz) |
| Nominal output impedance | MicroDot: 30 - 40 ohms. With DAD4099-BC or DAD6001-BC adapter: 100 ohms | Microphone diameter | 5.7 mm (0.22 in) |
| Cable transmission capacity | Up to 300 m with XLR adapter DAD6001-BC/DAD4099-BC | Microphone length | 45 mm (1.8 in) |
Questions frequently asked
Does the DPA KIT-4099-DC-10c support very loud instruments?
The Loud SPL version, identifiable by its red marking, handles up to 142 dB SPL peak at 10 % THD. It is designed for close miking of brass, guitars, piano, strings, and light percussion.
What is the directional pattern of this clip-on microphone?
Its supercardioid capsule promotes instrument isolation from stage monitors and nearby sound sources. The uniform off-axis response helps preserve tone during onstage movements.
What connection and power supply are required?
The output uses a MicroDot connector and the cable length is 1.8 m. With a DAD4099-BC or DAD6001-BC adapter, the signal is balanced via XLR and phantom power P48 is supported. A 5 to 10 V power supply via a DPA adapter is recommended for wireless systems.
Does the microphone reduce handling noise?
The enhanced shock mount limits handling noise and rumble transmission. The 140 mm gooseneck allows precise capsule positioning.
What frequency response does this model offer?
The effective range at 20 cm extends from 80 Hz to 15 kHz, with a slight 2 dB boost around 10 to 12 kHz. The overall specified response covers 20 Hz to 20 kHz.



