Earthquaker Tone Job V2
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Earthquaker
https://www.earthquakerdevices.com
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An EQ/Boost Inspired by the "Hi-Fi" Spirit of Vintage Preamps
The Tone Job embraces a simple yet powerful idea: shaping sound "the old-fashioned way," like audiophile stereo preamps, with a wide frequency response and active equalization. The result: instead of a rigid graphic EQ, you get a musical, lively tool that can both correct an effects chain and add character to an otherwise tame instrument. Within the EarthQuaker Devices range, it's typically the Swiss Army knife of the pedalboard: an equalizer and clean boost ready to solve a multitude of situations.
Who Is the Tone Job For, and In Which Styles Does It Make a Difference?
Whether you play in a band, home studio, or on stage, the Tone Job meets a universal need: to be heard without losing your identity. It suits beginners (who want to understand the impact of a simple and effective EQ) as well as experienced musicians (looking for a final finishing touch or a reliable boost).
In blues and rock, it thickens a clean tone, recenters mids for a solo, or softens an overly bright amp. In metal, it helps tighten the low end and position the guitar in the mix. In ambient, funk, pop, or indie, it becomes a fine-tuning tool after modulations, delays, and reverbs, maintaining definition without harshness.
Controls, Settings, and Operating Philosophy
The Tone Job offers four straightforward controls, with no menus or complications. The three EQ knobs are active and feature a center detent (flat position). Above center, you boost the selected band; below, you cut it. Since the settings are interactive, you can shape the overall feel (attack, roundness, presence) rather than simply "correct" a frequency.
The Level control comes after the EQ: useful for compensating frequency cuts or, conversely, pushing the input of an amp, preamp, or another pedal. Placed early in the signal chain, the Tone Job influences your instrument's character. Placed at the end, it can serve as an output enhancer and finishing tool to regain punch after a long effects chain.
Regarding bypass, the pedal features true bypass with relay-based electronic switching. Important note: without power, the audio signal does not pass through. For power, it accepts a 9V to 18V DC range, allowing you to adjust headroom according to your setup (while strictly staying within the recommended range).
Sound Character
The Tone Job is designed to remain clean, precise, and musical. Its active EQ provides an immediate sense of control: you can add presence without making the sound harsh, boost bass without muddiness, or restore mids where an effects chain has scooped them out. The boost is designed to preserve dynamics: your playing remains clear, and the pedal responds well to nuances, whether you want a slight volume "lift" or a strong push to cut through.
In practice, it can be subtle (small room correction, amp adjustment) or radical (character change, big boost). A truly "always useful" solution on a pedalboard, including with sources other than guitar.
Technical specifications
| Effects | EQ, Boost | Type | sector |
| Format | Pedal | Use | electric guitar |
| EQ | 3 channels | Color | Blue |
| Input impedance | 1 MOhm | Current draw | 21 mA |
| Output impedance | less than 1 kOhm | Required voltage | 9V to 18V DC |
Questions frequently asked
Does the Earthquaker Tone Job V2 operate at 9 V or 18 V?
The power supply accepts from 9 V to 18 V DC, with a consumption of 21 mA. A higher voltage within this range allows adjusting the headroom of the circuit.
Can it work without a power supply?
The relay-based electronic switching does not pass the audio signal when the pedal is not powered.
How do the equalization controls work?
The three EQ bands are active and each has a center detent corresponding to a flat response. Above this position, the band is boosted; below, it is cut. The level control operates after the EQ to compensate for attenuation or to drive an amplifier's input.
Where should this EQ/boost pedal be placed in an effects chain?
At the beginning of the chain, it modifies the instrument's character thanks to its 1 MOhm input impedance. At the end of the chain, its output impedance under 1 kOhm allows increasing the level and restoring impact after effects.
Is it suitable for boosting a solo without heavily changing the tone?
Its clean boost preserves dynamics and can provide a slight volume increase. The midrange can be enhanced with the 3-band EQ to better position a solo in the mix.



