Jobert Robin - Chaostika - Percussion et Électronique Enregistrée
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Manufacturer Information
Jobert
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Hexamusic
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Summary of This Score
This contemporary music score sets percussion in dialogue with prerecorded electronics, creating an interaction between live playing and fixed sound material. It is aimed at percussionists wishing to expand their palette towards current aesthetics, where timbre, the energy of the gesture, and rhythmic precision take a central place. The prerecorded electronics open a particularly stimulating playing space: it can serve as a counterpoint, an extension of the acoustic sound, or a structuring reference for the form.
Thanks to its A3 landscape format, reading is optimized for the stage: the systems remain clearly visible, page turns are facilitated, and the performer can focus on execution, listening, and synchronization. With its 13 pages, the whole is deliberately compact, promoting efficient work: setting up key passages, managing timing with the tape, and exploring colors. It is a relevant support for concerts, a percussion class project, or a program dedicated to mixed writing, offering an ideal ground to develop precision, endurance, and mastery of the relationship to recorded sound.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Yann ROBIN | Pages | 13 (A3 landscape) |
| Instrumentation | percussion and prerecorded electronics | Year of Publication | 2005 |
| Genre | contemporary | ||
Questions frequently asked
What is the instrumentation of Yann Robin's Chaostika?
The score is written for percussion and recorded electronics. The acoustic playing interacts with a fixed sound material.
What is the format and number of pages of this score?
The collection contains 13 pages in A3 landscape format, designed to maintain good visibility of the systems in stage situations.
Is it necessary to perform with an electronic track for Chaostika?
The electronics are indicated as recorded and constitute an element of the work. They can act as counterpoint, an extension of the acoustic sound, or a structural reference. No details are specified about the playback medium.
Is this work suitable for a percussion class project?
Intended for contemporary writing, this score can be integrated into a percussion class project. The work notably focuses on rhythmic setup and synchronization with the recorded track.
From what year does the publication of Chaostika date?
Composed by Yann Robin, this contemporary score was published in 2005.
