Lauten Audio Kick Mic

A Modern Approach to Internal Kick Drum Miking by Lauten Audio

The Lauten Audio Kick Mic was designed to meet a very specific need: to capture a massive yet natural sound inside the kick drum, with reliable low-frequency response and excellent impact definition. The brand takes a more "studio" approach than a traditional kick drum mic, relying on a FET condenser capsule and an acoustic design dedicated to controlling turbulence and internal wave behavior.
Rather than depending on heavy EQ or corrective processing (gating, phase alignment, bleed suppression), the Kick Mic aims for an immediate result: a solid sonic foundation that's quickly usable and flexible enough to adapt to very different styles, from modern rock to metal, as well as pop and funk.

Who It's For and Intended Uses

This microphone is aimed at sound engineers, home studio users, and live technicians who want a clear internal capture with a low end that "holds" in the mix and a controllable attack. It's ideal if you're looking for a present kick without harshness, capable of translating playing dynamics (double pedal, ghost notes, nuances) while maintaining a stable low-frequency spectrum.
On stage, its robust construction and compact format facilitate integration in tight setups, including internal mounts. In the studio, it serves as an excellent starting point to layer a second source (external mic, subkick) or, conversely, to work with a single take with minimal correction.

Features Designed for a More Readable and Musical Kick

KC608 Capsule: Speed, Controlled Low End, and Solid Directivity

At the heart of the Kick Mic, the KC608 capsule (17 mm diaphragm integrated into a 40 mm element) is designed to handle high SPLs while remaining fast on transients. The ventilated rear chamber preserves the integrity of the polar pattern down to 50 Hz, the range where much of the kick drum's energy resides. The result: a cleaner low end, less "muddy," with a precise low-frequency feel and mids that retain body.
Compared to many more traditional kick drum solutions, this design limits low-frequency buildup effects and helps achieve a firm, clear kick without needing drastic cuts or phase corrections afterward.

Air Coupling: Turbulence Control for a Cleaner Attack

The Air Coupling system is designed to better manage waves and turbulence inside the shell. In practice, this translates to a sharp attack, a more natural "breathing" sensation of the kick, and better stability when the mic is placed close to the batter head. You get a massive impact with a more musical texture and less harshness in the upper mids.

Built-in Filters: Shape the Tone Before the Preamp

The Kick Mic integrates two filters to shape the source as close to the mic as possible. The high-pass filter enhances punch and presence, useful for making the kick stand out in dense mixes or improving clarity on demanding sound systems. The low-pass filter helps attenuate high frequencies and beater noise to achieve a rounder, more "vintage" sound or simply reduce attack when it's too overpowering.
In live settings, these options save valuable time on stage and reduce reliance on aggressive EQ. In the studio, they help reach the right balance faster before compression, saturation, or parallel processing.

Hybrid Circuit and Noise Rejection: A Cleaner Kick Without Artifacts

Thanks to a hybrid design (through-hole and surface-mount components), the Kick Mic strikes a balance between speed, depth, and musicality. Its noise rejection design helps minimize cymbal and tom bleed, making mixing easier and often eliminating the need for an audible noise gate. You retain more naturalness and dynamics while gaining clarity.

Compact Format and Adjustable Mount: Quick and Reliable Placement

The microphone is housed in a compact metal chassis designed to withstand road rigors. Its adjustable locking mount offers over 180 degrees of rotation, simplifying placement inside the port or in tight configurations. Compatibility with most internal kick drum mounts allows you to easily find a reproducible position from one gig or session to the next.

Technical specifications

Frequency response	20 Hz - 20 kHz	Connection	XLR
Category	instrument microphone	Color	Black
Directivity	cardioid

KC608 capsule	instant response, precise lows, and powerful mids	Signal-to-noise ratio	79 dB
Type	FET pressure gradient condenser (end-address)	Sensitivity	-52 dBV/Pa (1 kHz)
Polar pattern	Cardioid	Connector	3-pin XLR
Dynamic range	minimum 142 dB	Power supply	48 V phantom
Max SPL	greater than 142 dB (0.5% THD at 1 kHz)	Dimensions (mic only)	125 x 50 mm
Impedance	greater than 150 ohms	Weight	290 g (mic only) / 389 g with mount
Self-noise	greater than 15 dB-A