Lemoine Campo - Trolls,Lutins Autres Farfadets - Violon
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Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
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Hexamusic
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Summary of This Book
This violin collection puts technique at the service of imagination: each piece tells a small scene and invites the young musician to explore colors, characters, and varied articulations. Régis Campo's writing offers a joyful entry into today's music, with special attention to the pleasure of playing and sonic curiosity. Designed for students in learning, the set encourages natural progression while developing rhythmic precision, expressiveness, and sound quality.
It features a gallery of endearing and quirky characters, perfect for working on interpretation: "Troll's Jig Who Smells Bad," "Molly, the Fairy with the Big Nose," "Zaza, the Cross-eyed Unicorn Who Is Sad (But Not Too Much)," and "Bob, the Gnome on a Swing." The collection also includes: An Indonesian Brownie, Momo, an African Elf, Song of the Big-footed Elf, A Really Very Ugly Witch, Fireflies and Pillywiggins in the Night. Each title becomes a concrete starting point to shape phrasing and assert musical character, while maintaining a playful dimension that motivates the youngest players.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Régis Campo | Genre | contemporary score |
| Instrumentation | violin | ||
Questions frequently asked
For which instrument is this collection by Régis Campo written?
The collection is written for violin, according to the indicated instrumentation. It brings together scores composed by Régis Campo.
Are these violin scores suitable for a student in training?
The book is designed for students in training. Each piece associates an illustrated scene with a specific musical exercise. The progression addresses rhythm, expressiveness, and sound quality.
Which pieces are included in Trolls, Lutins Autres Farfadets?
The contents notably include "Gigue du troll qui sent mauvais," "Molly, la fée au gros nez," "Bob, le gnome sur une balançoire," and "Lucioles et pillywiggins dans la nuit."
What is the musical style of these violin scores?
The classification indicated is classical, with a contemporary score genre. Régis Campo's writing offers an approach to today's music through imaginary characters.
Which technical elements can be practiced with this collection?
The interpretation of titles like "Chant du lutin aux grands pieds" or "Zaza, la licorne qui louche, qui est triste (mais pas trop)" requires phrasing and musical character. Varied articulations and rhythmic precision are among the declared focus areas.
