Mitropa Music Doss - Shamadan Dance - Solo Euphonium Sib (ou Baryton) et Piano
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Mitropa Music
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Summary of This Score
This work was written as part of the Obertöne project of the Bezirksblasmusikverband Linz-Land (Austria). It is dedicated to Anton Forstner, in gratitude for years of support for wind instrument music in the Linz-Land district. The musical concept is based on the world of the Shamadan: an ancient oriental dance, often associated with wedding celebrations, during which a dancer balances a candelabrum symbolizing spiritual light.
In this score, the euphonium plays the role of the dancer. The introduction is particularly striking: the soloist immediately expresses themselves in an unaccompanied recitative, offering a space of freedom to work on phrasing, projection, and tone color. The rest of the piece sets up an alternation between euphonium and piano, like a stage dialogue where intentions respond and transform.
The piano is not limited to simple harmonic support: it maintains an important role throughout the work, with various technical feats that enhance energy, tension, and contrast. The whole forms a demanding piece, designed for advanced performers seeking a work that is at once narrative, brilliant, and rewarding in concert, audition, or in a program focused on contemporary repertoire for euphonium.
Technical specifications
| Musical Genre | Classical | ||
| Instrumentation | euphonium and piano | Difficulty | advanced to professional |
Questions frequently asked
What level is required to play Shamadan Dance on the euphonium?
The score is intended for an intermediate to advanced level, featuring a demanding solo part and a technically active piano accompaniment.
Is the sheet music playable on the baritone?
The instrumentation specifies a solo for either B♭ euphonium or baritone, accompanied by piano. The solo part is therefore designed for this keyboard configuration.
Does the piano have an important role in this work?
The piano is not limited to harmonic accompaniment. It engages in a dialogue with the euphonium throughout the piece. Technical passages enhance the energy and contrasts of the writing.
How does Shamadan Dance begin?
The work opens with an unaccompanied recitative entrusted to the euphonium. This introduction directly highlights the phrasing, projection, and tone color of the soloist.
What is the inspiration behind this euphonium piece?
The musical concept is inspired by the Shamadan, an ancient oriental dance associated with wedding celebrations. The euphonium part represents the dancer carrying a candelabrum, a symbol of spiritual light.
