Robert Martin Charbonnier J.L. - Si L'on Improvisait. Augmenter Votre Plaisir En Diminuant
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Robert Martin
https://www.edrmartin.com
info@edrmartin.com
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Hexamusic
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Summary of This Method
Introduction to Ornamentation in Early Music is a resource designed to support the instrumentalist in learning ornaments, essential for performing early music with naturalness and stylistic coherence. The book offers a progression to understand the musical role of ornaments: emphasizing a cadence, enlivening a sustained note, enhancing expressivity, or adding depth to the discourse.
Throughout the pages, you consolidate the basics of ornamentation by addressing the logic of embellishments and their uses in phrasing. The goal is not to stack effects, but to acquire reliable reference points to choose the right gesture at the right moment, respecting the character of the piece. This approach helps to gain confidence, whether playing solo, in chamber music, or within an ensemble.
Designed for all instruments, the method emphasizes universal principles: rhythmic placement, line direction, articulation, musical breathing, and attack control. It also encourages a finer listening to harmonic tensions and resolutions, so that the ornament serves the music and not the other way around. An ideal tool for students, teachers, and musicians eager to develop a more lively and idiomatic interpretation of early music repertoires.
Technical specifications
| Publication | Methods | ||
| Instrumentation | All instruments | ||
Questions frequently asked
Is this ornamentation method suitable for all instruments?
The instrumentation indicated is "all instruments," focusing on rhythmic placement, articulation, and the direction of the musical line.
Is the method suitable for beginners in early music ornamentation?
Presented as an introduction to ornamentation in early music, the book offers a progression to understand the logic of embellishments. The concepts covered specifically address the choice of ornament according to the character of the piece.
What musical roles of ornaments are explained?
Ornaments are discussed to highlight a cadence, enliven a sustained note, or enhance expressiveness. Their use is placed within phrasing and harmonic tensions. The stated goal is to serve the musical discourse rather than to accumulate effects.
Does the method work on the rhythm and articulation of embellishments?
The proposed work includes rhythmic placement, articulation, and attack control. Musical breathing is also part of the principles developed.
Can this method be used in chamber music?
The playing situations mentioned include solo, chamber music, and ensemble. The book emphasizes listening to harmonic resolutions to integrate embellishments into the collective discourse.
