Schott Dittersdorf K. - Concerto F Major - Alto & Piano
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Summary of This Score
Concerto in F Major presents a concertante work by Karl Ditters von Dittersdorf, emblematic of the Classical aesthetic: clarity of lines, balanced phrases, and a sense of musical dialogue. This score is an excellent choice to develop musicality, rhythmic precision, and articulation, while working on constructing a soloist's discourse.
For realistic and effective preparation, the edition includes a piano reduction arranged by Wilhelm Lutz. It allows for setting entrances, breaths, and changes of character, while providing reliable accompaniment for rehearsals. This is a particularly valuable asset for lessons, masterclasses, and practice sessions with a collaborative pianist.
Thanks to its practice-oriented presentation, this score easily fits into a pedagogical progression: study of style, technical setup, phrasing work, and stage preparation. An essential resource for approaching the concerto with a structured, musical, and performance-focused method.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Dittersdorf, Karl Ditters von | Edition | Lebermann, Walter |
| Arranger | Lutz, Wilhelm (piano reduction) | ||
Questions frequently asked
Is this edition of Dittersdorf's F major Concerto intended for viola?
The score is intended for viola, with piano accompaniment. The work is attributed to Karl Ditters von Dittersdorf.
Is the piano reduction included?
A piano reduction by Wilhelm Lutz is included. It enables practice of entrances and changes of character with accompaniment.
What musical style does this viola concerto cover?
The work belongs to the classical repertoire. Its writing highlights clarity of lines and balance of phrases.
Who edited this score for viola and piano?
The edition is by Walter Lebermann. The piano reduction is credited to Wilhelm Lutz, distinctly from the composer Karl Ditters von Dittersdorf.
Is this score suitable for work with an accompanist pianist?
The presence of the piano reduction allows rehearsals with an accompanist pianist. The work may focus on breathing and rhythmic precision. This setup is also recommended for lessons and masterclasses.



