Vandoren V12 4 - CR194
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Information
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Manufacturer Information
Vandoren
https://www.vandoren.fr
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Safety manager:
Algam SAS
Email: contact@algam.net
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V12: a Vandoren approach focused on density, control, and durability
The Vandoren V12 reeds are made from cane selected with a diameter equivalent to that used for alto saxophone reeds. This choice allows for a thicker tip at both ends than on a traditional reed, promoting a broader vibration and a more settled playing feel. Within the Vandoren range, the V12 is often chosen for its balance between sound depth, endurance, and consistent response.
The brand highlights a tightly controlled manufacturing process, from cane cultivation to final inspection, with a commitment to valorize cane waste (reusing it as fertilizer or fuel) to reduce waste. The individual flow-pack protects each reed and helps maintain more consistent sensations when opening the box.
For which clarinetist and styles?
With a strength of 4.5, these reeds are mainly aimed at advanced to professional clarinetists (or musicians with good embouchure endurance) seeking support, projection, and reliable stability. They are particularly suitable for contexts where tuning, homogeneity, and air column control matter: classical repertoire, orchestra, chamber music, as well as certain modern aesthetics requiring a dense and focused sound.
Note: Vandoren indicates that a strength 3 in V12 roughly corresponds to a strength 2.5 in a traditional reed. This illustrates the "resistance" feel specific to the V12 cut. At strength 4.5, this is therefore a very firm reed, reserved for players who know how to master it.
Sound and design
Cut from cane, the V12 favors a deep, rich, and structured timbre. The thickest part reinforces the body of the attack, which helps achieve a more "held" note onset and a feeling of control, especially on sustained dynamics. The increased thickness also promotes appreciable stability over time, while offering vibration over a wider palette when the air column is well engaged.
The flow-pack packaging is a real plus for consistency: each reed is better protected from humidity variations, which limits unpleasant surprises between reeds in the same box.
Recommended compatible accessories
To stay consistent with a strength 4.5, a reed case (for drying and flat storage) and a clarinet swab are safe choices to preserve lifespan and stability. Depending on your mouthpiece and ligature, good storage and regular drying often matter as much as the cut choice.
Technical specifications
| Category | Bb clarinet |
| Force | 4,5 |
| Material | reed |
| Toe thickness | 0.1 mm |
| Heel thickness | 3.15 mm |
| Color | Grey |
| Quantity | 10 |
| Type | Reed |
| Packaging | Box of 10 reeds |
| Strength | 4.5 |
| Indicative equivalence | V12 strength 3 ~= traditional reed strength 2.5 |
| Tip thickness | 0.10 |
| Product subject to a specific withdrawal right | for hygiene reasons, if the product has been opened, it cannot be refunded or exchanged. |
Questions frequently asked
Are Vandoren V12 4.5 reeds suitable for the Bb clarinet?
These reeds are intended for the Bb clarinet and are sold in boxes of 10.
What level is required to play V12 reeds with a strength of 4.5?
Strength 4.5 corresponds to a very firm reed, mainly suitable for advanced or professional clarinetists. Good embouchure endurance is necessary to handle this resistance. The V12 cut feels stiffer than a traditional reed.
What tone does a V12 cane reed produce?
The cane and the 3.15 mm thick heel promote a deep and structured timbre. The 0.1 mm tip thickness contributes to a focused attack and rich vibration.
Is a Vandoren V12 strength 4 reed harder than a classic reed?
The indicated equivalence places a V12 strength 3 roughly at the level of a traditional strength 2.5 reed. Therefore, strength 4.5 offers high resistance, with the support and stability sought after in classical repertoire.
How are the reeds protected inside the box?
Each reed is individually packaged in flow-pack to limit humidity variations before opening. A reed case can then facilitate drying and keeping the reeds flat.
