ADG Productions Andrew D. Gordon - 100 Ultimate Soul, Funk and R&B Grooves for Bass
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ADG Productions
https://www.adgproductions.com
adgordon@adgproductions.com
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Summary of This Method
Written by Andrew D. Gordon, a recognized educator and author of numerous learning materials, this method "100 Ultimate Soul, Funk and R&B Grooves" is a true toolbox for working on placement, feeling, and consistency on the bass. The goal is clear: to immerse you in the language of major groove aesthetics by offering 100 playable, varied patterns that can be directly used in rehearsals, studios, or on stage.
Each groove draws inspiration from the sounds and dynamics that have marked the history of Funk, Soul, and R&B, in the spirit of iconic artists and bands such as James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, and Billy Preston. You will find "pocket"-style accompaniments, tight pulses, snapping accents, and ideas that help build a solid bass line in service of the band.
The major strength lies in the work with the rhythm section: for each of the 100 grooves, a version recorded with bass allows you to understand the intention, then a backing track without bass gives you full space to practice, develop your endurance, and gain precision. The Latin, Reggae, and Calypso incursions finally add extra colors, ideal for broadening your sense of groove and rhythmic articulation.
Technical specifications
| Musical Genre | Jazz, Blues, Soul | Publication | Sheet music |
| Artist | Andrew D. Gordon | Genre | Soul, Funk, and R&B groove method |
| Instrumentation | bass | ||
Questions frequently asked
Does the method include backing tracks without bass?
For each of the 100 grooves, a backing track without bass is provided to work on timing and endurance.
Which bass styles are covered in 100 Ultimate Soul, Funk and R&B Grooves?
The book focuses on Soul, Funk, and R&B grooves. Influences associated with James Brown, Stevie Wonder, Parliament, or Average White Band are cited. Latin, Reggae, and Calypso elements complete the 100 patterns.
Is this method designed for bass?
The indicated instrumentation is bass, with 100 patterns intended to work on placement, feel, and consistency.
Can the bass lines be listened to before playing them?
Each groove has a recorded version with bass, allowing to hear the rhythmic intent and accents of the pattern.
Are the grooves suitable for practicing within the rhythm section?
The accompaniments emphasize playing within the rhythm section, with tight grooves and bass lines oriented towards the pocket.
