Aebersold N°69 - Goes Latin Charlie Parker Originals+ Audio
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Aebersold
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Summary of This Method
The popularity of Latin Jazz has exploded in recent years, and this play-along method offers a particularly inventive approach: Charlie Parker originals revisited in a Salsa / Latin Jazz style. The result is a rhythmically unique reinterpretation of bebop classics, opening new directions in playing, both in phrasing, articulation, and accent management.
By playing along with these accompaniments, you are invited to rethink your habits: how to make a bebop line breathe over a clave, how to adapt your sequences of arpeggios and chromaticism, and how to "place" your phrases within a more percussive rhythm section. It is an excellent resource for working on improvisation, rhythmic precision, and listening, whether you are a melodic instrument or simply looking to integrate Latin reflexes into your jazz language.
The accompaniment is provided by Mark Levine (piano), David Belove (bass), John Santos (timbales and percussion), and Harold Muniz (congas and percussion). Throughout the tracks, you will find notably: Barbados, Marmaduke, Buzzy, Dewey Square, Yardbird Suite, Ornithology, Laird Baird, Moose the Mooche, My Little Suede Shoes, Bird Gets the Worm, Scrapple From the Apple, Donna Lee, and Confirmation.
Technical specifications
| Publication | Methods | ||
| Composer | Charlie Parker | Genre | Latin Jazz, Salsa, Jazz |
| Artists | Mark Levine, David Belove, John Santos, Harold Muniz | ||
Questions frequently asked
Which Charlie Parker tunes are included in this Latin Jazz method?
The collection notably includes Barbados, Yardbird Suite, Ornithology, Moose the Mooche, Donna Lee, and Confirmation, among thirteen cited themes. Charlie Parker's originals are approached within a Salsa / Latin Jazz aesthetic.
Does Aebersold No. 069 contain audio accompaniments?
The title indicates the presence of audio, with accompaniments performed by Mark Levine on piano, David Belove on bass, John Santos on timbales, and Harold Muniz on congas.
Does this method help to play bebop over a clave?
The proposed approach precisely works on placing bebop lines over a clave. Arpeggio sequences, chromaticism, and accents are repositioned within a percussive rhythm section. This orientation allows exploration of phrasing adapted to Latin Jazz.
Which percussionists perform on the play-alongs?
John Santos is on timbales and percussion, while Harold Muniz plays congas and percussion.
For which instruments is this Charlie Parker Latin Jazz method intended?
The content is aimed at melodic instrumentalists wishing to work on improvisation and rhythmic precision over themes such as Scrapple From the Apple or My Little Suede Shoes. It also enables integration of Latin reflexes into the jazz language.
