Amadeus Vivaldi A. - Concerto Op. 44/11 G-dur
Estimated Shipping Widget will be displayed here!
Essential Information About This Score
Essential Information About This Score
- Ideal formation for early music: a writing designed for recorder with basso continuo accompaniment, perfect for playing in duo or small ensemble.
- A versatile working tool: suitable both for study (setup, articulation, phrasing) and for concert performance.
- Clear and focused reading: the reduction highlights the solo line and the bass, for an immediate understanding of the musical dialogue.
- Edition by Winfried Michel: a reference appreciated by recorder players for approaching the repertoire with rigor and musicality.
Manufacturer Information
Amadeus
https://www.amadeusmusic.ch
info@amadeusmusic.ch
------------------------
Safety manager:
Hal Leonard Europe BV
Email:
Address:
Summary of This Score
"Reduction for recorder and basso continuo" offers a streamlined and effective presentation, focused on the balance between the solo voice and the harmonic foundation. This format is particularly valued in the Baroque repertoire and the practice of early music ensembles, where the recorder must combine rhythmic precision, careful articulation, and a sense of singing.
Thanks to this reduction, the performer concentrates on the essentials of the musical discourse: the melodic line, its breathing, its accents, and phrasing, while relying on the basso continuo to build harmony and dynamics. It is an excellent tool for working on listening and placement, especially when the accompaniment is realized on keyboard (harpsichord, organ) and/or by a bass instrument (cello, viola da gamba, bassoon), according to your ensemble's habits.
This score is intended for recorder players who wish to develop a stylistically coherent interpretation, gain musical autonomy, and strengthen ensemble playing. It is also well suited for work in lessons, chamber music workshops, or rehearsal contexts, facilitating communication between soloist and continuo player.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Edition | Winfried Michel | Instrumentation | recorder and basso continuo |
You will also like
Lemoine
Méthode De Flûte A Bec Soprano - Catrice
Lemoine
Hunt Simon - Gammes Eges Et Exercices Preparatoires - Flute
Heugel
Jouer Et Apprendre La Flûte A Bec Alto Vol.1 - Sanvoisin
Billaudot
École De La Vélocite Flûte - Kohler
Amadeus
Van Eyck Der Fluyten Lust-Hof I
Amadeus
Van Eyck - Der Fluyten Lust-Hof Ii
Hal Leonard
Duschenes Mario - Method For The Recorder Part 1 - Flute A Bec Soprano & Ténor
Hal Leonard
Hal Leonard Tin Whistle Method
Questions frequently asked
What instrumentation is planned for this Vivaldi concerto?
The score is designed for solo recorder and basso continuo, according to the specified instrumentation.
Does the Winfried Michel edition include a basso continuo part?
The edition attributed to Winfried Michel presents the work as a reduction for recorder and basso continuo. The basso continuo provides the harmonic foundation for the accompaniment.
Which instruments can perform the basso continuo?
The accompaniment may be realized on keyboard instruments, notably harpsichord or organ. A bass instrument such as cello, viola da gamba, or bassoon may be added. The ensemble's composition depends on common practice.
Is Amadeus Vivaldi A. - Concerto Op. 44/11 G-dur suitable for chamber music?
This reduction lends itself to classroom work, chamber music workshops, or rehearsals. The dialogue between the recorder and continuo player is directly emphasized.
Does this score help in practicing the Baroque style on the recorder?
The format for recorder and basso continuo allows working on articulation, rhythmic precision, and phrasing characteristic of the Baroque repertoire.
