Aquila 1CH CHARANGO MEDIUM
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
Aquila
https://www.aquilacorde.com
aquila@aquilacorde.com
------------------------
Safety manager:
Algam SAS
Email: contact@algam.net
Address:
The Safe Choice to Preserve the Charango's Character
Specifically designed for the charango, the Aquila 1CH Nylgut strings focus on balance: comfortable tension for daily use and precise response for arpeggios, rasgueados, and melodies. The Nylgut material is valued for its ability to approach the roundness and presence of "classical" tones while offering a comfortable grip. Whether you are learning, playing in an ensemble, or performing on stage, this set of strings helps you maintain an expressive, stable, and inspiring instrument.
Technical specifications
| Tension | Medium | Classification | Medium |
| Type of cord attachment | Without | Nbr of strings | 10 |
| Category | charango | Material | New Nylgut |
| Brand | Aquila | Sound Quality | rich and precise tone |
| Model | 1CH Charango Nylgut | Tuning Stability | high |
| Instrument | charango | Longevity | increased thanks to careful manufacturing |
| Tension Type | normal | ||
Questions frequently asked
Are the Aquila 1CH strings suitable for a 10-string charango?
This set is designed for the charango and includes 10 strings.
What is the gauge of the Aquila 1CH Charango Nylgut strings?
The normal gauge corresponds to a medium tension. This setup aims for a comfortable tension for everyday playing.
What material are these charango strings made of?
They are made from New Nylgut. This material is intended to provide a round tone with a classical presence.
Do these strings stay in tune well?
High tuning stability is advertised. The careful manufacturing also contributes to increased longevity.
Are the Aquila 1CH suitable for arpeggios and rasgueados?
Their precise response is designed for arpeggios, rasgueados, and melodies. The announced tone is rich and precise.



