Audix STE8

A "standard pro" format: the drum case designed to cover every kit element

Drum mic packs in cases have established themselves as a practical solution to achieve a consistent and reproducible sound from one gig to another. The idea is simple: combine dynamic mics dedicated to drums (attack, punch, isolation) with condenser mics for cymbal definition and the overall kit image. With its 8-piece configuration and mounting accessories, this pack fits into this "all-in-one" logic: you have a reliable base to mic a complete drum kit without multiplying references or wasting time on choices and compatibility.

For which drummers, studios, and situations is this pack intended?

This pack is primarily aimed at drummers who play live and want a coherent set that is easy to transport, studios needing a versatile starting point for quick recording, as well as sound engineers and service providers looking for a mic inventory that is simple to deploy. It is particularly suitable for styles where the drums need to remain clear and punchy (rock, pop, metal, funk, contemporary music), while maintaining good cymbal finesse thanks to the condenser overheads and the dedicated hi-hat mic.

A complete configuration, from drum punch to cymbal detail

The strength of this pack lies in the complementarity of the transducers: dynamic mics provide robustness and impact on high sound pressure sources, while condensers bring transient precision and better high-frequency reproduction. The result: a kit that sounds quickly "mixable," with clear separation between kick, snare, toms, and cymbals.

Kick drum: impact, depth, and clarity

The D6 mic is dedicated to the kick drum. It aims for a solid low-end reproduction with a sharp attack, ideal for maintaining definition in a dense mix. It provides an effective foundation both live (where clarity is key) and in recording (where clean and controllable low end is desired).

Snare and toms: attack, body, and bleed control

The snare is covered by an i5 mic, designed to capture attack and body while remaining stable at high levels. The toms benefit from two D2 mics, and the floor tom from a D4 mic, to adapt the sound capture to the drum sizes: maintaining a clear attack, with present low-mids and good dynamic handling. This distribution also facilitates equalization and bleed management on stage.

Overheads and hi-hat: precision, image, and finesse

Two SCX25A cardioid condenser mics are provided for the overheads. Placed in a pair (according to your technique: AB, XY, ORTF depending on context), they contribute to the stereo image, cymbal definition, and the overall "glue" of the drum sound. The hi-hat is assigned to an SCX1-hc hypercardioid condenser mic, useful for gaining focus and better isolating the source when the stage is noisy or cymbals are very close.

Mounting and transport: everyday efficiency

The 4 D-vice gooseneck clamps allow quick positioning of the mics on drum hoops, with stable and repeatable placement. For the overheads, the 2 SMT25 shock mounts dedicated to the SCX25A improve user comfort by reducing vibrations and handling noise. The whole is gathered in an aluminum case, designed to protect the gear during transport.

Technical specifications

Category	wired microphone	Capsule	dynamic / static
Directivity	hypercardioid	Color	Black