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Gauss 7

Gauss 7

Regular price 578,00 €VAT incl.
0,14 € Ecotax included
Sale price
0,14 € Ecotax included
Regular price Reference price

The Return of Gauss: A Legendary Aesthetic Updated for Today

With the Gauss 7, Avantone brings back a "reference" listening philosophy inspired by vintage nearfield monitors: a clear midrange, stable imaging, and a "direct" mixing feel. The goal is not to flatter but to translate. Where older speakers might have lacked extension or control, the Gauss 7 aims for a wider and more consistent response, especially in the low end, while retaining that immediate character that helps make quick decisions on vocals, guitars, snare drums, or reverb placement.

Who Is the Gauss 7 For and What Are Its Best Uses?

The Gauss 7 is designed for demanding home studio users, beatmakers, mixing engineers, and audio content creators who want an active monitor capable of staying precise at low volumes while maintaining impact when the level is raised. Thanks to its wide "sweet spot" and refined imaging, it excels in editing, stereo mixing, vocal-instrument balance, and transient control (kick attack, snare snap, bass definition). In a nearfield setup on a desk or stands, it allows for long working sessions with a smooth and coherent listening experience.

Key Technologies: AMT, Bass-Reflex, and Room Adjustments

GAU-AMT Tweeter: Precision, Smoothness, and Micro-Details

The GAU-AMT (Air Motion Transformer) tweeter stands out by delivering very fast transient response and fine detail retrieval in the highs and upper midrange. The result: more readable cymbals, easier control of sibilance, and a clearer perception of air and depth. This approach also promotes less aggressive listening over time while maintaining a sense of "transparency" useful for judging EQ and compression.

7-Inch Woofer and Bass-Reflex Loading: Deep and Controlled Bass

The 7-inch white cone woofer is designed to provide a solid foundation for modern mixes, with a claimed response down to 30 Hz. The bass-reflex design contributes to bass extension, helping to evaluate the low end without always relying on a subwoofer. However, as with any bass-reflex system, placement and room acoustics remain crucial: this is where the rear adjustments become essential to maintain clean lows and avoid excess energy near walls.

Class D Bi-amplification: Headroom and Stability

With dedicated amplification for each driver (120 W for the woofer, 60 W for the tweeter), the Gauss 7 benefits from clear register separation and a generous level reserve. Class D provides good efficiency and solid dynamics, useful for controlling peaks, impact sensation, and low-mid stability without saturating too quickly.

Rear Acoustic Adjustments: Adapt to the Studio, Not the Other Way Around

The acoustic adjustment controls on the back allow tuning the response according to the environment: proximity to a wall, room absorption, brightness, overall tonal balance. Combined with the vertical dispersion of the GAU-AMT, they facilitate achieving a cleaner response in various setups (desk, small control room, treated or semi-treated room), maintaining a natural midrange and stable imaging.

Technical specifications

BatteryNoEQNo
Number of channels2 channelsInputsXLR, jack
BluetoothNoColorBlack
ConnectionXLRPower output180 W
Speaker diameter7", 2,5"Quantity2
Number of speakers2
Woofer7-inch white cone (120 Watts)THD0.5%
Tweeter2.5-inch Air Motion (60 Watts)Dimensions (W x H x D)235 x 381 x 212 mm
Frequency response30 Hz - 22 kHzWeight8.2 kg
SPL103 dB (peak)

Customer reviews

Based on 2 reviews

  • 5 stars, 2 reviews
  • 4 stars, 0 reviews
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  1. SF S.

    I already knew these monitors. I had Adam T7V in the home studio and decided to switch to these because they are more balanced in quality and definition. The Adam has a detailed and quality tweeter, but the woofer cone is very stiff and made of a rather suspicious material, at least for what I'm looking for, it lacks detail in harmonics.

    The Avantone is more focused on media and the woofer is much better than the Adam. It's a paper cone that I like best for monitoring acoustic sources.

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  2. Michel b.Verified

    I am really delighted with my Avantone Gauss 7, they are also low in the bass without being intrusive, they are light, not too large. thank you

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