Barenreiter Bach J.S. - Die Kunst Der Fuge
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Summary of This Score
This publication offers the tenor part (Viola / Streichquartett), Alt-Gambe. Edited after the manuscript and the first edition by Hermann Diener, a particularly useful resource for instrumentalists holding the inner voices in ensemble music. In a string quartet, the tenor part plays an essential role: it ensures harmonic cohesion, clarifies inner movements, and contributes to the clarity of the counterpoint. It is often in this voice that the balance between the upper line and the bass is constructed, both rhythmically and in terms of color.
The interest of this edition lies in its source-based approach: the mention of work "after the composer's hand (manuscript) and the first print" indicates a desire to offer a text as close as possible to the written tradition. As the edition is established by Hermann Diener, it is aimed both at musicians seeking precision and at educators wishing for a solid support for sight-reading, analysis, and building a collective interpretation. Thanks to the instrumentation Vla, VdG alto, this part can be played on the modern viola or on a viola da gamba alto, opening up varied ensemble possibilities depending on the project (reading, concert, workshop, practice on historical instruments).
Whether you are preparing a string quartet rehearsal, a focused session on tuning inner voices, or a broader chamber music project, this tenor part constitutes a practical and musical support, designed to serve cohesion and collective breathing.
Technical specifications
| Musical Genre | Classical | ||
| Arranger | Hermann Diener | Instrumentation | Vla, VdG alto |
Questions frequently asked
Is this edition intended for the viola?
The part is indicated for modern viola, under the instrumentation "Vla", as well as for alto viola da gamba ("VdG alto").
Can this part of The Art of Fugue be played in a string quartet?
This publication corresponds to the tenor part for string quartet. The middle voice provides the harmonic link between the upper line and the bass.
On which sources is the Hermann Diener edition based?
The edition is established based on Bach's manuscript and the first printed edition. Hermann Diener is responsible for the edition. This source work supports the study of counterpoint and ensemble sight-reading.
Is the tenor part suitable for the alto viola da gamba?
The instrumentation "VdG alto" allows the use of an alto viola da gamba for this tenor part.
For which repertoire is this Bach score classified?
The indicated musical genre is classical. This part is designed for working on the inner voices in J. S. Bach's The Art of Fugue.



