Barenreiter J.S. - Messe En Sol Mineur Bwv 235 Lutherische Messe - Reduction Ch Piano
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Barenreiter
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Summary of This Score
This Klavierauszug (piano reduction with vocal part(s)) is based on the Urtext of the Neue Bach-Ausgabe, a choice appreciated by musicians seeking a reliable and rigorous edition. Designed for daily musical work, this score allows the accompanist pianist to render the essential orchestral texture on the keyboard, while providing a clear support for the soloists (alto, tenor, bass) and the mixed SATB choir. The edition was prepared by Emil Platen (editor), and its piano-vocal format makes it an effective tool for sight-reading, staging, balancing, and entrances work, before reuniting with the orchestra. An essential for vocal music rehearsals with choir and soloists, whether in conservatories, vocal ensembles, or stage productions.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Arranger | Platen, Emil (editor) | Instrumentation | Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Orchestra |
| Edition | Piano Reduction/Vocal Score | ||
Questions frequently asked
For which voices is the piano-vocal reduction of the Mass BWV 235 written?
The score combines the solo parts for alto, tenor, and bass with a mixed SATB choir.
Is this edition of the Mass in G minor BWV 235 suitable for choir rehearsals?
Designed in piano-vocal format, it allows working on entrances and balances of the SATB choir. The keyboard reduction conveys the essential orchestral texture. The vocal parts serve as support for the soloists and the choral ensemble.
What musical source is used for this Bach score?
The edition is based on the Urtext of the Neue Bach-Ausgabe.
Who prepared this piano reduction of the Mass BWV 235?
The editorial preparation is by Emil Platen.
Is the Barenreiter J.S. - Mass in G Minor BWV 235 a full orchestral score?
This is a Klavierauszug, a reduction for piano with vocal parts, intended to prepare the work before rehearsal with orchestra.
